Great American Women: Historical Fiction Novels About Diverse, Influential Women from Each Period of American History

Inspired by America’s 250th anniversary as a nation, I rounded up some historical fiction about real women who shaped America’s history. As a girl, I loved series like American Girl Dolls, Dear America, and the Little House books and was curious what I could find in adult fiction.

I found some great novels featuring the true stories of America’s diverse Founding Mothers, pioneers, homemakers, soldiers, businesswomen, activists, socialites, actresses, artists, scientists, politicians, spies, athletes, and everyday women who made history for doing what was right.

There are some great lists already out there for historical fiction about women, but I didn’t find any that offered a book (about a real woman) for each period of American history. I thought this would be a great way to march through our timeline, through perspectives we may not have seen before.

  1. Early Colonial Period
  2. The Revolution
  3. Westward Expansion
  4. The Civil War
  5. The Gilded Age
  6. The 20th Century
  7. World War I
  8. The Roaring 20’s
  9. The Great Depression
  10. World War II
  11. The Cold War, Space Race, and Civil Rights

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Early Colonial Period – 1607-1738

Mary’s Land by Lucia St. Clair Robson

As the ship Charity sails from England across the Atlantic, two vastly different yet equally courageous women make the perilous journey.

Strong-willed, upper class Margaret Brent has invested in Lord Baltimore’s Maryland plantation because the new colony is her single chance for a home of her own. Anicah is a teenage guttersnipe who lives by her wits and quick tongue. Kidnapped off the streets of Bristol, she is transported to the New World as an indentured servant. But for both women, the future will bring love and rewards they never imagined. . . .

An independent landowner, Margaret was the first woman in the English colonies to formally request the right to vote.

The Indigo Girl by Natasha Boyd

The year is 1739. Eliza Lucas is sixteen years old when her father leaves her in charge of their family’s three plantations in rural South Carolina and then proceeds to bleed the estates dry.

Upon hearing how much the French pay for indigo dye, Eliza believes it’s the key to their salvation. Eliza finds that her only allies are an aging horticulturalist, an older and married gentleman lawyer, and a slave with whom she strikes a dangerous deal: teach her the intricate thousand-year-old secret process of making indigo dye and in return—against the laws of the day—she will teach the slaves to read.

Based on historical documents, including Eliza’s letters, this is the account of how a teenage girl laid the foundation for the incredible wealth of several Southern families. When she passed away in 1793, President George Washington served as a pallbearer at her funeral.

The First Great Awakening

Hang a Thousand Trees with Ribbons: The Story of Phillis Wheatley by Ann Rinaldi

Kidnapped from her home in Senegal and sold as a slave in 1761, a young girl is purchased by the wealthy Wheatley family in Boston. Phillis Wheatley—as she comes to be known—has an eager mind and it leads her on an unusual path for a slave—she becomes America’s first published black poet.

She was greatly influenced by the words of George Whitefield and used his arguments about the fairness of God to argue against slavery.

Declaration of Independence and the Revolutionary War (1762-1784)

A Founding Mother by Stephanie Dray & Laura Kamoie

In the heart of revolutionary Boston, Abigail Adams raises her children amid riots, blockades, and the outbreak of war. While her husband, John Adams, rises from country lawyer to nation-builder, often away for years at a time, Abigail builds her own independence—managing their farm, making lucrative investments, amassing savings, battling plague and loss, and defending their home.

She famously offers fearless political counsel, urging John to “remember the ladies” in the new government. When peace is secured, Abigail steps onto the world stage, presiding over the parlor politics of the early American republic.

Even after her husband’s presidential administration, she continues battling political foes and working behind the scenes to ensure a better life for the next generation of Americans.

A Girl Called Samson by Amy Harmon

In 1760, Deborah Samson is born to Puritan parents in Plympton, Massachusetts. When her father abandons the family, Deborah is bound out as an indentured servant.

Twenty years later, as the American colonies begin to buckle in their battle for independence, Deborah, disguises herself as a soldier and enlists in the Continental army. Her impressive height and lanky build make her transformation a convincing one, and it isn’t long before she finds herself confronting the horrors of war.

But as Deborah fights for her country’s freedom, she must contend with the secret of who she is—and, ultimately, a surprising love she can’t deny.

Here’s a great list with more “Historical Fiction About Women of the American Revolution.”

Westward Expansion (1801-1890)

Deliverance Mary Fields, First African American Woman Star Route Mail Carrier in the United States by Miantae Metcalf McConnell

1885 – 1914. Mary Fields, a fifty-three-year-old emancipated second-generation slave receives news of her friend’s impending death. She rushes to the Montana wilderness to find Mother Mary Amadeus lying in a frozen, broken-down cabin. Certain that the cloister of frostbit nuns and their students, Indian girls rescued from nearby reservations, will not survive without assistance, Mary decides to stay.

Mary drives a horse and wagon through perilous terrain and sub-zero blizzards to improve the lives of missionaries, homesteaders and Indians. But she doesn’t stop there. An avid patriot, she is determined to register for the vote, despite the high price.

Miss Etta – A Novel by Deanna Lynn Sletten

She rode with the most famous outlaws of her time. Then she vanished.

In the fall of 1895, Etta Place falls in love with Harry Longabaugh, alias the Sundance Kid. She gives up everything to follow him and his partner-in-crime, Butch Cassidy, in their outlaw life across the continent and beyond. Every inch a lady, Etta can also ride and shoot as well as any man.

But soon, she finds herself alone and living in a convent with her newborn son. Etta moves halfway across the country to begin anew, praying her past won’t catch up with her.

Crow Mary by Kathleen Grissom

In 1872, sixteen-year-old Goes First, a Crow Native woman, marries Abe Farwell, a white fur trader.

When a group of drunken whiskey traders slaughters forty Nakota and takes five Nakota women back to their fort, she begs Farwell to save them. When he refuses, Mary takes two guns, creeps into the fort, and saves the women from certain death.

Thus, she sets off a whirlwind of colliding cultures that pushes the love between Farwell and Crow Mary to the breaking point.

The Civil War, Emancipation, and Reconstruction (1861-1877)

Daughter of a Daughter of a Queen by Sarah Bird

Though born into bondage on a “miserable tobacco farm” in Little Dixie, Missouri, Cathy Williams never forgot her noble warrior blood. Her chance at freedom arrives with Union general Sheridan, who takes the rawboned, prideful young woman into service.

At war’s end, Cathy refuses to return to servitude and disguises herself as a man and join the Army’s legendary Buffalo Soldiers.

Alone now in the ultimate man’s world, Cathy vows to never give up on finding her mother, her little sister, and the love of the only man strong enough to win her heart.

The Tubman Command: A Novel by Elizabeth Cobbs

In South Carolina, Harriet Tubman plots an expedition behind enemy lines to liberate hundreds of bondsmen and recruit them as soldiers for the struggling Union army. A bounty on her head, she has given up husband and home for the noblest cause.

General David Hunter places her in charge of a team of black scouts even though skeptical of what one woman can accomplish. For her gamble to succeed, “Moses” must outwit alligators, overseers, slave catchers, sharpshooters, and even hostile Union soldiers to lead gunships up the Combahee River.

Industrialization and the Gilded Age (1876–1900)

The Social Graces by Renée Rosen

1876. In the glittering world of Manhattan’s upper crust, women are valued by their pedigree, dowry, and, most importantly, connections. And none is more powerful than Caroline Astor—the Mrs. Astor.

Alva Vanderbilt has recently married into one of America’s richest families. But what good is dizzying wealth when society refuses to acknowledge you? Alva, who knows what it is to have nothing, will do whatever it takes to have everything.

Sweeping three decades and based on true events, this is the mesmerizing story of one of the most remarkable feuds in history.

The Black Rose: The Dramatic Story of Madam C.J. Walker, America’s First Black Female Millionaire
by Tananarive Due

Born to former slaves on a Louisiana plantation, Madam C.J. Walker rose from poverty and indignity to become America’s first black female millionaire, the head of a hugely successful beauty company, and a leading philanthropist in African American causes.

Renowned author Alex Haley became fascinated by the story of this extraordinary heroine, and before his death in 1992, researched and outlined a major novel based on her life. Now, critically acclaimed writer Tananarive Due brings Haley’s work to an inspiring completion.

A Right Worthy Woman by Ruth P. Watson

Based on the inspiring true story of Virginia’s Black Wall Street and the indomitable Maggie Lena Walker, the daughter of a formerly enslaved woman who became the first Black woman to establish and preside over a bank in the United States.

Maggie’s childhood in 19th-century Virginia, helping her mother with her laundry service, opened her eyes to the overwhelming discrepancy between the Black residents and her mother’s affluent white clients.

Maggie buckled down and went from schoolteacher to secretary-treasurer of the Independent Order of St. Luke, founder of a newspaper, a bank, and a department store where Black customers were treated with respect. She revolutionized Richmond in ways that are still felt today.

The 20th Century

Women’s Rights (1878-1920)

The Women’s March: A Novel of the 1913 Woman Suffrage Procession by Jennifer Chiaverini

To inspire support for a constitutional amendment, 25-year-old Alice Paul organizes a magnificent procession down Pennsylvania Avenue.

Joining the march is thirty-nine-year-old Maud Malone, who has acquired a criminal record for interrupting politicians’ speeches with pointed questions they’d rather ignore.

Civil rights activist and journalist Ida B. Wells-Barnett resolves that women of color must also be included in the march—and the proposed amendment.

But negligent police allow vast crowds of belligerent men to harass the parade, endangering not only the success of the demonstration but the women’s very lives.

Gum Moon: A Novel of San Francisco Chinatown by Jeffrey L Staley

Based upon events in the life of the author’s wife’s grandmother, Gum Moon (Cantonese for “Golden Gate”) is the story of a Chinese-American girl, Mei Chun Lai, who is sold in 1898 at the age of three to a cruel brothel keeper. She is rescued and placed in a Home for abused and trafficked girls, only for it to be destroyed in the 1906 San Francisco earthquake and fire.

Chun survives, and in an attempt to raise funds to rebuild the Home, she and a group of seven other Chinese children embark on a cross-country singing tour. Performing for President Theodore Roosevelt is the highlight of the journey, but when the matron of the Home suffers a breakdown, thirteen year-old Chun must find the strength and resolve to lead the children home.

Here’s a list of more novels about women’s suffrage.

World War I (1914-1918)

Switchboard Soldiers by Jennifer Chiaverini

In WWI, more than 7,600 women responded to the call for telephone operators, including Grace Banker of New Jersey, Marie Miossec, a Frenchwoman and aspiring opera singer, and Valerie DeSmedt, a twenty-year-old Pacific Telephone operator from Los Angeles.

They were among the first women sworn into the U.S. Army under the Articles of War. The male soldiers they replaced had needed one minute to connect each call. The switchboard soldiers could do it in ten seconds.

Deployed throughout France, including near the front lines, the operators endured hardships and risked death or injury from gunfire, bombardments, and the Spanish Flu. Not all of them would survive.

The President’s Wife by Tracey Enerson Wood

Independent socialite Edith Bolling has been in no hurry to find a new husband since she was widowed. But Woodrow Wilson wins Edith over and she becomes the First Lady of the United States.

Edith is soon indispensable to her husband’s presidency. When WWI hits, she encrypts top- secret messages and becomes an important policy adviser. But during critical peace talks, Woodrow’s delicate health takes a dramatic turn for the worse. In her determination to preserve both his progress and his reputation, Edith all but assumes the presidency herself.

Now, Edith must contend with the weight of a nation, her secrets, and the potentially devastating consequences of her failure.

Here’s another list highlighting novels about America’s Most Influential First Ladies.

The Roaring Twenties

The Brightest Star: A Historical Novel Based on the True Story of Anna May Wong by Gail Tsukiyama

America is falling in love with silent movies, including young Wong Liu Tsong. Choosing the stage name Anna May Wong, she leaves high school at sixteen, defying her traditional father’s wishes.

After a series of nothing parts, nineteen-year-old Anna May gets her big break starring opposite Douglas Fairbanks in The Thief of Bagdad. Yet she is still relegated to supporting roles as a helpless, exotic butterfly or a vicious, murderous dragon lady, while Caucasian actresses in “yellowface” are given starring roles portraying Asian women.

Though she suffers professionally and personally, Anna May fights to win lead roles, financially support her family, and keep her illicit love affairs hidden—even as she finds freedom and glittering stardom across the globe.

Georgia: A Novel of Georgia O’Keeffe by Dawn Tripp

In 1916, Georgia O’Keeffe is a young, unknown art teacher when she travels to New York to meet Stieglitz, the famed photographer and art dealer, who has discovered O’Keeffe’s work and exhibits it in his gallery.

O’Keeffe is quickly drawn into Stieglitz’s sophisticated world, becoming his mistress, protégé, and muse. Their attraction deepens and his photographs of her, both clothed and nude, create a sensation.

Yet as her own creative force develops, Georgia begins to push back against what critics and others are saying about her and her art and choose a life she believes in.

The Great Depression (1929-1939)

Becoming Madam Secretary by Stephanie Dray

Frances Perkins arrives in New York City at the turn of the century, armed with an unyielding determination to make a difference.

But when she meets a young lawyer named Franklin Delano Roosevelt at a tea dance, sparks fly in all the wrong directions. Frances thinks he’s a rich, arrogant dilettante. He thinks she’s a priggish, insufferable do-gooder. Neither knows it yet, but they will form a historic partnership that will carry them both to the White House.

Frances is destined to face down the Great Depression as FDR’s most trusted lieutenant—even as she struggles to balance the demands of a public career with marriage and motherhood. Can she overcome vicious political attacks and personal tragedies to save a nation?

Learning to See by Elise Hooper

In 1918, a fearless twenty-two-year old arrives in bohemian San Francisco, renaming herself Dorothea Lange. She soon becomes the owner of the city’s most prestigious portrait studio and wife of the talented but volatile painter, Maynard Dixon.

By the early 1930s, as the America’s economy collapses, her marriage founders and Dorothea must find ways to support her two young sons single-handedly. Determined to expose the horrific conditions of the nation’s poor, she takes to the road with her camera, creating images that inspire, reform, and define the era.

And when the United States enters World War II, Dorothea chooses to confront another injustice—the incarceration of thousands of innocent Japanese Americans.

World War II (1939-1945)

The Only Woman in the Room: A Historical Novel of Hedy Lamarr and Her Secret Wartime Invention by Marie Benedict

Her beauty saved her from the rising Nazi party and led to marriage with an Austrian arms dealer. Underestimated, she overheard the Third Reich’s plans while at her husband’s side and understood more than anyone would guess. She devised a plan to flee in disguise from their castle, landing her in Hollywood. She became Hedy Lamarr, screen star.

But she kept a secret more shocking than her heritage or her marriage: she was a scientist. And she had an idea that might help the country fight the Nazis and revolutionize modern communication… if anyone would listen to her.

Note: Almost all of Marie Benedict’s books fall under the category of “real American women who made history (and were often overlooked).”

Ace, Marvel, Spy: A Novel of Alice Marble by Jenni L Walsh

At seventeen, Alice Marble has no formal tennis skills and no coach, but rises to be one of the top-ranked players in the world. But with the outbreak of war with Germany, Alice loses everything, including her career.

Then, the US Army sends her a request: Under the guise of playing tennis in Switzerland, she would be a spy for them. Alice aches for nothing more than to avenge what the war has taken from her. But what awaits her might be her greatest challenge yet.

The Cold War (1947-1991), the Space Race (1955-1975), and the Civil Rights Movement (1954-1968)

Jackie by Dawn Tripp

When Jackie meets the charismatic congressman Jack Kennedy in Georgetown, she is twenty-one and dreaming of France. She has won an internship at Vogue. Kennedy, she thinks, is not her kind of adventure: “Too American. Too good-looking. Too boy.”

Yet she is drawn to his mind, his humor, his drive. The chemistry between them ignites. During the White House years, the love between two independent people deepens. Then a love affair, a complicated marriage, and the fracturing of identity that comes in the wake of unthinkable violence.

Harlem Rhapsody by Victoria Christopher Murray

In 1919, a high school teacher from Washington, D.C arrives in Harlem to realize her lifelong dream. Jessie Redmon Fauset has been named the first black woman literary editor of The Crisis magazine.

But she has a secret – W. E. B. Du Bois, the founder of The Crisis, is not only Jessie’s boss, but her lover. Despite the rumors, Jessie is determined to prove herself. Under Jessie’s leadership, The Crisis thrives… every African American writer in the country wants their work published there.

When her first novel is released to great acclaim, it’s clear that Jessie is at the heart of a renaissance. She has shaped a generation of literary legends, but will discover a high cost of her unparalleled success.

The Woman with the Cure by Lynn Cullen

In 1940s and ’50s America, polio is as dreaded as the atomic bomb. No one’s life is untouched by this disease that kills or paralyzes its victims, particularly children. The man who finds the cure will be a god.

But Dorothy Horstmann is not focused on beating her colleagues to the vaccine. She just wants the world to have a cure. She hunts down the monster where it lurks: in the blood.

This discovery of hers, and an error by a competitor, catapults her closest colleague to a lead in the race. When his chance to win comes on a worldwide scale, she is asked to sink or validate his vaccine—and to decide what is forgivable in pursuit of the cure.

I tried really hard to find more novels from the late 20th century about real American women. But the closer we get to present day, the rarer novelizations of real figures are, since many of these figures have recently told their stories in their own words.

That’s actually one of the coolest things I learned from researching and compiling this list – many of the most famous women in American history (and plenty of lesser known ones) have written their own books: biographies, journals, letters, poetry, and more! I much prefer fiction, but I might have to go check out the original words of America’s founding women. Schools really have no excuse for not teaching more about how women shaped America’s history – there is SO much source material.

Back to late 20th c. historical fiction – books like The Women of Arlington Hall, American Spy, and The Women are popular books set in the Cold War and Vietnam War eras, but all the main characters are fictional amalgamations of real people, so I did not include them. Similarly, books like Hidden Figures and The Rise of the Rocket Girls tell the story of women in the Space Program, but they are nonfiction, and I’m not sure how much of a narrative they carry.

So personally, I’d rather try to find memoirs from the women who actually lived through these events rather than read nonfiction overviews or purely fictionalized accounts – but that would make for an entirely different list. Again, to my irritation, most lists are extremely unspecific. There are tons of blog posts about “influential women of history,” but they are a random compilation of women from all over the world, at any time period. As if there aren’t enough great women to make a list like “Memoirs by the Most Influential American Women of the 20th Century.”

It was frustrating to me to discover that despite the great leaps in recognition for women, this list was still way too hard to compile. It seems like there is very little middle ground between “romance chick-lit inspired by history” and “intricately researched, dry biography.” I delved deeply into the reviews for the above books trying to find that sweet spot, deliberately leaving out some of the “better known” book-club picks if they fell too far to one side of the spectrum.

I hope this list helps you find some great reads that let you “walk through America’s history” through the eyes of inspirational women, and if you know of more, please share them in the comments below!

Everyone was getting into the “reading bingo card” fad, so I thought I’d make one up for my top picks from this list.


Hi, I’m Caylah Coffeen, a freelance editor and marketer of sci-fi and fantasy books. I love reading and writing and am a follower of Jesus Christ.

I’ve worked for Monster Ivy Publishing, Eschler Editing, and Havok Magazine. Reach out to chat about books and publishing!

Thanks for stopping by my website! I hope you’ve found some helpful resources about reading, writing, and publishing. If you liked this article, here’s some more free content…

8 Fantasy Books About Complicated Male Friendships That I Discovered at Realm Makers Expo

I’m ALWAYS on the hunt for books that feature complex platonic relationships between men – brotherhood, bromances, rivals, frenemies, and a mix of everything in between!

Since I love this trope so much, I feel like I’ve read all the ones mentioned on lists, forums, and blogs online. So I’m always delighted to discover hidden gems, like at indie book events! I recently returned from the Realm Makers expo, and rounded up 7 that I’m excited to read!

This article contains affiliate links. I may earn a small commission on qualifying purchases at no extra cost to you.

Fates Defiant by Brigitte Cromey and C.M. Banschbach

Fates Defiant was one of my favorite reads last year, so I was so excited when it won the Realm Makers award for the fantasy category! I got to meet the co-authors C.M. Banschbach (pictured top) and Brigitte Cromey (pictured bottom).

“The story follows Bastian, a disgraced soldier, and Cyrus, the reigning arena champion. Gladiator opponents – turned allies, turned brothers.”
– C.M. Banschbach

An unexpected alliance forms when two gladiators come face to face, but in order to survive long enough to see freedom, they’ll have to fight… to the death.

4.5 stars! Read my book review here!

Magician’s Rivalry (Spellsmith & Carver Book 1) by H.L. Burke

“This is Magician’s Apprentice. It stars Jericho Carver and Aurik Spellsmith. Jericho is the common sense son of a carpenter and is also a magician’s apprentice. Aurik is the son of the magician who was away studying in the city. They are competing to see who gets the shop when the magician retires… and havoc ensues!”
H.L. Burke

An estranged son. An adopted heir. A magical attack that forces them to work together.

A Sword in the Stars (The Myridian Constellation Book 1) by Wayne Thomas Batson

“There is a fierce rivalry between two brothers who are born just seconds apart from each other. One of them is rather evil-hearted and his name is Morlan Stormgarden. He and his brother Aravel have never gotten along. Morlan always insists there’s a better way to rule the entire kingdom. Well, Aravel ends up being king. That doesn’t sit well with his younger brother…”
Wayne Thomas Batson

From the bestselling author of The Door Within Trilogy comes an epic tale of two powerful kings whose rivalry threatens to tear the world of Myriad apart.

Shard and Shield (The Shard of Elan Book 1) by Laura VanArendonk Baugh

“This one is about an outcast soldier who finds an unlikely friendship in a slave he kind of accidentally acquires and the two of them have a lot of unresolved issues they get to work out together. They turn out to be the best of friends. Bromance for the win!”
Laura VanArendonk Baugh

A bastard, mage, and monster must set aside prejudices and rivalries to find an end to centuries of conflict, before they die as traitors.

Return to Aramon – A New Moon by Ezra Ferguson

“Two of the protagonists are Voldigar, a famous chanter of the Order, and Lanathor, a famous teller of the Order. Lanathor is steeped in tradition, following the code. Whereas Voldigar, old as he is, has seen many things – he loves the code as well, but he’s willing to break it to do what he thinks is right. Which brings them to loggerheads at times, but they are fast friends and learn to forgive one another throughout.”
Ezra Ferguson

A devout order of warrior monks had rid the world of demonic power. But when their oath-sworn prince rises to the throne, his folly threatens to undo everything.

The Orb and the Airship (Turrim Archive Book 1) by Jenelle Leanne Schmidt

“We have Captain Marik who is a pirate and Grayden who is a young man trying to get to the air military academy. Marik hijacks the airship he’s on, so obviously they don’t like each other at first, but eventually they do have to work together.”
Jenelle Leanne Schmidt

A rogue airship captain. An ambitious youth. A clash of powers beyond their imagination.

Of Rage & Rite by Brett Hibbler

“Kaid (an impulsive adventure seeker) and Brazen (the reluctant, overthinking tagalong), share a bond only twins can understand. When they learn the truth about their father’s death, however, their responses are so wildly opposite, they wonder if they’ll ever share that bond again.”
Brett Hibbler

Monstrous beasts lay waste to the world of Voiyanna, and their only hope lies in a group of divided ambassadors sent to petition an ancient—and supposedly long-dead—hero.

Greywolf’s Heart (Spirits’ Valley Book 1) by C.M. Banschbach

“We have Comran and Etran who are half brothers, very embittered, who gradually become allies, who gradually become the brothers they’ve wanted their entire life.”
– C.M. Banschbach

A man born for war. A bastard raised in contempt. Only together can they defend their tribe from slaughter.

If you know of more fantasy books with complex brotherhood dynamics, please share below!


Hi, I’m Caylah Coffeen, a freelance editor and marketer of sci-fi and fantasy books. I love reading and writing and am a follower of Jesus Christ.

I’ve worked for Monster Ivy Publishing, Eschler Editing, and Havok Magazine. Reach out to chat about books and publishing!

Thanks for stopping by my website! I hope you’ve found some helpful resources about reading, writing, and publishing. If you liked this article, here’s some more free content…

Is Hollywood Writing Terrible “Strong Female Characters” on Purpose – So We Beg Them to Return to the Old Ways?

Hollywood creators depict “strong female leads” in such 2-dimensional, cringe ways that I’ve started to wonder if it’s actually a deliberate, long-term strategy to make audiences reject women as central characters.

Many theories have been floated in recent years about why modern, female-led films flop so abysmally, so before I get into my theory, I’ll review them.

“Men write women badly” isn’t an axiom we should accept

One of the leading arguments is that Hollywood producers, directors, and writers are still overwhelmingly male, and men don’t write women well. This argument can actually be separated into 3 claims:

  1. Men are incapable of writing women well – “It’s just too hard! Women are too complex!”
  2. Men don’t bother learning enough about women to write them well
  3. Men refuse to write women in ways that don’t suit them

I reject the first claim as it’s a stereotype that enables laziness, giving permission for men to not even try. Men are perfectly capable of understanding women well enough to write them as fascinating, flawed, memorable characters. Film and literature are filled with such examples, so there is no excuse for the embarrassing alpha women inflatables we’re plagued with today.

So we get to the second claim – men just don’t bother to put themselves in women’s shoes and imagine what it’s like to be treated like a woman, and so their female characters don’t feel like real people. I’m sure there’s some truth to this, but it’s not like these writers have never met women. It’s impossible not to gain an understanding of the opposite sex through interacting with relatives, teachers, neighbors, coworkers, etc. What it comes down to is whether a person keeps their eyes and ears open, or rejects anything that contradicts their preexisting opinions.

Men are capable of understanding women. Men will learn about women whether they try or not. So we get to the third reason. Men refuse to act on what they’ve learned, depicting women only in the ways they prefer.

Before you get your hackles up, this is an observation true to all humankind. Harmful depictions of certain races, classes, religions, and genders aren’t due to an incapacity to understand, or just a refusal to learn, but because of willful cruelty paired with premeditated plans to control certain populations.

Old authors who used women like paper cutouts – the virtuous damsel in distress, the buxom wench, the creepy witch in the woods, the wicked seductress, and so on, made a deliberate choice to use women not as real people, but as objects to move a male-centered plot forward. Classic authors with memorable female characters weren’t geniuses blessed with an unusual understanding of women. They simply made the choice to put the same amount of effort into writing their female characters as they did when writing their male characters.

As far as I’m concerned, modern filmmakers who write unlikable female heroines don’t just misunderstand “strong women” despite trying their best, and haven’t just neglected to get to know “strong women,” but are willfully choosing to portray them in a way that will make audiences groan every time they hear a new release features a female hero.

Hollywood claims “You asked for this!”

Once we agree that Hollywood is entirely responsible for and in complete control of their depiction of women, we get to the second common argument – Hollywood’s response – which is that they’re only giving women what we wanted, what we asked for! “Women demanded the femme fatale, so don’t blame us if you think it’s bad – blame your fellow women for having bad taste.”

Here’s the first problem with this argument: Does Hollywood really think Rey running around snapping, “don’t hold my hand,” is what girls actually wanted to see? If so, they’re morons. Or they want to pretend they are, in order to shrug off responsibility for their insulting depictions of women.

They’re essentially re-using the first argument about women being “too much,” turning themselves into dewy-eyed schoolboys who can’t understand what women want even when they try really, really hard to listen. But that also implies they asked.

Did any producers talk to female Star Wars fans and ask them if Rey was their billion dollar heart’s desire? Or cold-faced women in catsuits breezing their way through problems as they push men around? Hollywood didn’t give us what we asked for, they gave us what they imagined we wanted.

Which is insulting in and of itself.

We say, “I want women who talk to women on screen about something other than men,” and they say, “Ok, you want arrogant bitches who sneer at men.” We say, “I want intelligent women who solve their own problems rather than waiting around to be saved,” and they say, “Ok you want cold, distant, dismissive women who don’t listen to anyone.” We say, “We want multi-faceted women with varied strengths and weaknesses,” and they hear, “ok, women are perfect? We’ll show them strutting around shoving in peoples’ faces how good they are at everything.”

These depictions do more to show us what Hollywood leaders think of women in “leading roles.” Through every box office flop, they are telling us that they think an active female character who saves the day is inseparable from an entitled, aggressive, emotionally distant narcissist.

But women are producing these “alpha women” too

Now, to be fair, many feminists do act like this, and many women writers have written female characters who act like bratty alpha males (Sarah J. Mass). So there’s a real basis for this image. A fact which grieves me greatly.

I think female writers and creatives have an even greater responsibility to depict women of good character! It’s not like we even have the excuse, “It’s so difficult for us to understand women!” So it’s maddening to encounter female characters that read like the author’s teenage fantasy (“Wouldn’t it be great if I could say and do whatever I want and have everyone around me, especially the men, respect and affirm me for it?”).

Male writers get to point at the examples and say, “Look, they’re doing it – I’m just following their lead and giving them more of what they themselves make!” But would female writers get away with that excuse? With meeting such low standards?

Let’s say I wrote a male hero based on the nastiest Homecoming King I’ve known in my life and the rapiest male protagonist I’ve encountered in male-written fiction. Then, in the reviews, readers call me out on it and say my male characters are 2-dimensional caricatures that don’t deserve to be called heroes. If I replied by pointing at my real-life and fictional examples and crying, “But they did it too!” would that fly?

Some men would probably have no problem with how I wrote my hero because they would see themselves in it. Nasty jocks like to see nasty jocks depicted as heroes. Would that excuse me writing all male heroes as nasty jocks? But that’s what Hollywood is doing – they’re writing female heroines with the dialogue of the angriest feminists they’ve met and the behavior of the most entitled YA heroines they’ve read. And then they say, “Well, those feminists and those readers asked for this, so clearly that’s what all female audiences want!”

The cringe ladybosses are deliberate

There are plenty of examples of well-written female characters, but men in Hollywood are choosing to follow the bad examples because that’s how they see women. Just like some female writers choose to write strong men as assholes, because that’s what they think of men.

It’s not that Hollywood’s overlords don’t know what a good example of a strong female character looks like (Princess Leia, Sarah Conner, Ellen Ripley, the original Mulan, Eowyn, Hermione Granger). It’s not that they think the majority of women want the copy pasted “badasses” they’re giving us.

Hollywood isn’t dumb. Between focus groups, polling, early release feedback, etc. there is no way that these massive corporations couldn’t tell that Captain Marvel was going to flop compared to Captain America.

So we get to my new theory – did they actually want it to flop?

Do producers and directors want to go back to the good ‘ol days when it was socially acceptable for women to be nothing more than the booby side-piece? Are they sitting in a room together asking, “How do we get audiences to accept the Bond girl as the norm again? Even better, how do we get them to actually demand it from us?” I think they’re dreaming of the day we say, “Oh Hollywood masters, you knew best all along. How wrong we were. Please forgive us. We beg of you, show us what we really want and need to see!”

Hollywood is doing this on purpose to try to get men and women alike to reject “strong female leads,” when what we’re actually rejecting is “deliberately poorly written, nasty female leads.”

This is a vital distinction. Plenty of people call out Hollywood for writing women badly. More still call them out for being insensitive, incompetent, and dismissive of issues surrounding representation of gender, race, religion, and more. Some call them out for choosing terrible female writers and directors to lead the way.

Plenty of people know what a good story looks like, and they know that modern Hollywood films suck all around, not that heroines are objectively bad. But in some ways, Hollywood’s scheme is working. They’ve primed audiences to think that a female-led film will be awful. So even if we can consciously list all of the ways they set Captain America up for success and Captain Marvel up for failure, the end result is the same: men and women alike are less likely to go see a film about a female protagonist.

If every time you bought a cake, it was sickeningly sweet and chalky, you’d probably start wincing every time someone offered you cake, even though you know there are plenty of good, even amazing, cakes in the world.

When’s the last time you heard someone say the phrases “ladyboss,” “strong female character,” or “badass heroine” without an accompanied eye roll? People didn’t always roll their eyes 10 years ago – we were excited at first! But a decade of horrible movies has primed audiences to think that “cringe” and “ladyboss” always belong in the same sentence.

We have to discern whether Hollywood is doing this on purpose or not. Because there’s no point in criticizing their writing if they picked a barfably woke script to make us hate it and anything remotely related. There’s no point in petitioning for Kathleen Kennedy to be fired if they picked her so we would do just that! …Enabling them to replace her with a male President – the natural order of the world restored.

There’s no point in telling the baker you ordered a low-sugar cake and asking him to remake it if he purposely baked a nauseatingly sweet cake so you’d give up and order the cookies instead – his original specialty.

This is a pattern consistent across film history

Now, before you go claiming that I’m a man-hating woman with a conspiracy theory, it would behoove us to examine some film history. I actually studied Film in college – that’s my degree. If you think producers aren’t sitting in a room together making agreements about how to depict certain races, religions, professions, and genders you’re just wrong. This happened all the time.

One example is the depiction of Asian men – Hollywood studios have very deliberately portrayed Asian men as bumbling, comedic idiots or asexual, walking calculators. When Asian men cry out, as women have done, “Write more stories with active Asian characters!” Hollywood argues, “What are you talking about? There are plenty of you thrown in there. And you’re even shown as smart.”

Mixing positive features into your “stereotype template” doesn’t make it ok. I imagine an Asian man would rather play a genius tech geek in an action flick than a pudgy sidekick in a rom com, but that doesn’t mean he actually wants to play either. Just like women would rather play emotionless heroines in spandex who get to kick the bad guy in the face than buxom babes who scream and cower in the clutches of a monster.

Both depictions are templates that Hollywood has decided are acceptable for screen. Men pay to see the second one. Neither men or women want to pay to see the first. I wouldn’t pay to see a standalone movie of Anne Hathaway’s Catwoman. What Hollywood wants people to take away from that conclusion is, “Women don’t make good leads. Women aren’t meant to be the heroes.”

But I would pay to see a Catwoman movie if Selena Kyle was written as well as Nolan’s Bruce Wayne. I would pay to see a movie about Queen Boudicca if it was written and directed as well as Braveheart. But Hollywood refuses to do so.

You’ve heard the saying, the best lies are made up mostly of truth. Hollywood hasn’t written incompetent female heroines. They know that’s too far from the truth for modern audiences to accept. They’ve just written immature, unlikable heroines. They know how to cover their butts. People aren’t walking out of the theaters able to say, “Hollywood is sexist because they showed women as weak and irrelevant.”

But people should be walking out of theaters saying, “Hollywood is sexist because they’re depicting strong women as arrogant brats.”

Hollywood has power and money to spare. I think they’re playing the long game, perfectly happy to lose money now as they pretend to support PC causes, while actually twisting the narrative so they can reshape demand back into their preferred mold.

Once people gain the power to shape opinions (on an international and society-wide level!), they’re not going to give it up because people tell them to change. They’ll just use the weapons at their disposal to get people to stop asking. And their greatest weapon is their stories.

Again, this is already a well-established flaw of human nature. How many people drive themselves into bankruptcy over issues of ideology, pet feuds, and threats to their own superiority? Some people are willing to destroy themselves to be seen as right or to force their version of what is right on the world. It’s no accident that before the #metoo movement, we saw a mix of excellent and lousy female leads, but after #metoo? I come up with a blank.

It almost feels like Hollywood producers and directors are saying, “You got in our face about how we treated you and then made yourselves reserved and unavailable. We’ll reflect that version of women back at you and see how you like it.”

Still think I’m taking it too far?

Let’s consider the realism of this argument by imagining it from the other side. Let’s say the CEO of a major publisher decided that going forward, 80% of all their fantasy books need to have a male lead. The managing editors at their imprints are displeased by this decision, but they have to go along with it. How could they honor their boss’ demand while actually subverting it?

I know what I would do. I’d round up the equivalent of Terry Goodkind (The Sword of Truth), John Norman (Gor), George R.R. Martin (Game of Thrones), Richard Morgan (The Steel Remains), and Mark Lawrence (Prince of Thorns) and put the most money behind the darkest, rapiest, most toxic depictions of masculinity I could find. (Those hyperlinks will take you to discussions about the controversies in those books…)

Then I’d wait for audiences to cry out, “Enough already!” I could then cock my head in innocent surprise and ask, “What? Wasn’t this what you wanted? It’s what you asked for. What you think a male hero is. You don’t like it? Aww, well I did try to tell you.”

And because they’re male authors, and many male readers don’t find the content problematic, I’d be safe from the criticism that I’m pulling this version of masculinity out of my behind so I can spit on it.

Just like Hollywood directors can laugh and say, “but the directors of Charlie’s Angels 2019 and Captain Marvel were women!” Yeah… Elizabeth Banks and Anna Boyden (the directors of each, respectively) wouldn’t exactly have been my top choices for heroic, women-led filmmaking, let alone Kathleen Kennedy. They don’t represent the potential and desire of most female creatives or audiences.

Anyone who uses those flops to prove women make poor heroes (and poor directors) is full of it and deserves to be told as much. Just as I’d call someone out if they praised publishers for rejecting male-authored or male-led fantasy novels using Terry Goodkind as the basis of their reasoning.

Don’t accept Hollywood’s lies about heroines – or their denial that they’re lying on purpose

We know what truly strong female characters look like. And so does Hollywood (“methinks you doth protest too much”) – that’s why they’re trying so hard not to give them to us – because a compassionate, selfless, strong, intelligent, brave, emotionally healthy, unencumbered woman would be truly formidable.

Hollywood can’t convince me they:

  1. Are too simpleminded to write women well
  2. Are just too negligent to learn anything about women
  3. Actually think most women want the garbage they give us
  4. Tried their best to give women what we wanted but just don’t have enough practice yet
  5. Pick only the best women writers and directors who represent the peak of female creativity and vision
  6. Tried their best, but it’s as they suspected – audiences just don’t want heroines

We’re left with one option. No longer able to depict women the way they want – as sex objects and attaches to male leads – Hollywood has settled for second best: a perversion of good leading women that will make viewers sick at the phrases “empowered” and “independent.”

Hollywood told us for decades that female-led superhero films would flop. We disagreed. So they set out to prove themselves right. Big studios give us terrible heroines done up in the flimsy trappings of good ones. They thought this would rob us of our voice, of our ability to call them out anymore on deliberate sexism. Too bad – I’m calling Hollywood out on it anyway.

Under no circumstances should the above portrayal or implications not be insulting to you.


Hi, I’m Caylah Coffeen, a freelance editor and marketer of sci-fi and fantasy books. I love reading and writing and am a follower of Jesus Christ.

I’ve worked for Monster Ivy Publishing, Eschler Editing, and Havok Magazine. Reach out to chat about books and publishing!

Thanks for stopping by my website! I hope you’ve found some helpful resources about reading, writing, and publishing. If you liked this article, here’s some more free content…

From First Draft to Published Product: How a (Flash Fiction) Story Transforms Over 3 Rounds of Edits

If you’ve never worked with a book editor before, you’re probably wondering what it’ll be like. What kind of feedback do editors give and how do they interact with your manuscript? Is all the time and money of a professional edit actually worth it?

Here I’ve included the first draft and two successive rounds of edits on a flash fiction story that I edited as part of Havok Magazine’s team. My hope is that you will see how editing can bring out the best in a manuscript, clarifying the language, character and plot, and emotional impact.

Havok is an online flash fiction magazine that publishes a 1000 word story each day of the week on the following schedule: Mystery Monday, Techno Tuesday (sci-fi), Wacky Wednesday (humor), Thriller Thursday, Fantasy Friday. I was an editor with the Mystery Monday team for a year.

I share these various drafts with the permission of the author, Victoria Roberts, and Havok’s owners – Andrew Winch and Teddi Deppner.

First Draft

This is the first draft the author submitted to Havok. I, and my fellow editors, read all of the submitted stories for that month and chose which ones to acquire. There were a few reasons this story stood out to me for acceptance:

  • The character has a clear goal and transformation
  • High life and death stakes
  • The situation is emotionally and politically complex, but grounded in a simple scene and decision
  • Strong physical interactions between the characters, space, and the objects in it
  • Varied descriptions using multiple senses
  • A balanced mix of dialogue and internal reflection

Take a moment to read the original version before reviewing successive edits.

First Round of Edits

These are the edits I and my team submitted to the author for review. She then had a chance to make submissions and submit a second draft. In my comments, you’ll see a combination of the three major types of editing (proofreaders were a separate team).

Developmental feedback: questions about the character’s situation and motivations and suggestions for how to improve the opening and ending.

Line edits: improving sentence structure, clarifying descriptions, and offering suggestions to maintain conciseness.

Copy edits: grammar and spelling corrections.

Second Round of Edits

This is the stage where collaboration and clarification come into play. You’ll see that the author accepted a number of my edits as they were. In other places, she left comments explaining what her vision was and asking for further input, or made the suggested edits in her own words.

That’s the sign of an effective editor-author collaboration. Editorial suggestions are just that – suggestions. A good editor will help shape a story into the best it can be according to each author’s style. A good writer will be willing to communicate openly with their editor, standing up for their own choices where it matters, asking questions, offering various revisions and asking the editor which one they think is the clearest and most compelling choice.

Third Round of Edits

A third round of edits isn’t always necessary – here, you’ll see that the author fiddled with her word choice a little more and made sure her word count fell within parameters. And I assured her that she should be the one to finalize these details.

Final Version

If you want to read the final version of this story, you can find it on Havok’s website! They publish a story every day of the week – each story of the day is free to read, and an annual subscription of $4.99 gains readers access to their entire catalogue.

If you’re interested in submitting a flash fiction story of 1000 words or less, you can find information about Havok’s monthly themes on their website. They are such a kind and joyful team to work with, and I highly recommend them! Thank you, Andrew and Teddi, for allowing me to share about Havok’s process!

You can also follow Havok on social media.

Thank You, Victoria!

A big thank you to the Victoria Roberts, the author of “To Break a Kingdom,” for letting me share her in-progress story on my website. Many authors hate for their early drafts to ever see the light of day! But that makes it hard for other writers to understand how stories can change during the process of editing. So thank you for sharing your work so others can learn from your example! Please check out more of Victoria’s work through the links below.

About Victoria Roberts

Victoria Roberts writes uplifting stories that radiate light. As an acquisitions and freelance editor, she loves encouraging other writers to pursue their author dreams. When she’s not penning or devouring a new tale, she spends her time adventuring with her family, spoiling her poodle Beast, or creating book-themed cross-stitch patterns.


Hi, I’m Caylah Coffeen, a freelance editor and marketer of sci-fi and fantasy books. I love reading and writing and am a follower of Jesus Christ.

I’ve worked for Monster Ivy Publishing, Eschler Editing, and Havok Magazine. Reach out to chat about books and publishing!

Thanks for stopping by my website! I hope you’ve found some helpful resources about reading, writing, and publishing. If you liked this article, here’s some more free content…

The Best Event for Christian Nerds and Speculative Authors: Realm Makers Conference & Expo 2026!

I started hitting the con circuit in about 2018 and fell in love – book lovers, authors, cosplay, night owls, drool-worthy merch, and so on! But I still felt like kind of the odd one out, because while there were some Christians at these events, and the friends I made were kind when I mentioned my faith, it just wasn’t an interest most attendees shared.

I thought how amazing it would be if there was a Christian literary convention where I could nerd out about all my fandoms and crack Bible jokes too! Much to my disappointment, no such thing existed. But in my initially dismal Googling, I discovered Realm Makers!

Realm Makers started out in 2013 as a a cohesive, professional conference for Christian speculative fiction authors. In 2016, they added an awards program for Christian fantasy and science fiction – at the time, I believe no other awards existed for this sub-genre. On their website, they describe the exact same feeling I had experienced at secular cons and in “mainstream” Christian circles – I couldn’t quite be myself fully in either.

But they still weren’t a convention. And I didn’t have ~$1500 to drop on travel, lodging, food, and conference fees. So I bided my time and stalked their amazing FB group, in which I made many friends and learned so much about this budding industry.

Then, last year (2025), they hosted their first EXPO for fans in Grand Rapids! FINALLY, I could afford to come and hang out with fellow creatives, browse book stalls, learn about Christian video game creators, and meet the publishers I had followed for years. Plus the geniuses behind Realm Makers: Rebecca (pictured above) and Scott Minor!

It was a blast! I got to meet one of my favorite authors, Kathy Tyers, who later kindly gave an interview on this blog. I got to help my dad (author Rich Coffeen) and Havok Magazine (with whom I was an editor at the time) vend at their tables. Of course, I ran around in cosplay, collecting stickers and business cards, and meeting indie Christian SFF authors I never would have discovered if not for this expo. I came home with a juicy stack of new books that marginally consoled me as I sulked about having to wait a whole year to return.

But now the time is near!

This year they’re hosting their conference and expo in St. Louis. The conference runs from Wed, June 24th – Sat, June 27th, with their awards banquet Thurs evening. The expo runs all day Fri, June 26th and Sat, June 27th. And this year, they’re not even charging for entry to shop the expo (screenings and events within the expo do cost extra).

It really was a wonderful event, great for both networking and sharing common passions, so I highly recommend that you attend if you can. I would love to meet you there!

Here’s one of the official fliers from their press kit, linked to their website where you can find more details.


Hi, I’m Caylah Coffeen, a freelance editor and marketer of sci-fi and fantasy books. I love reading and writing and am a follower of Jesus Christ.

I’ve worked for Monster Ivy Publishing, Eschler Editing, and Havok Magazine. Reach out to chat about books and publishing!

Thanks for stopping by my website! I hope you’ve found some helpful resources about reading, writing, and publishing. If you liked this article, here’s some more free content…

3 Mini Book Reviews of Fantasy Gladiator Novels

Here are my reviews of 3 fantasy books that feature arena fights and a gladiator main character. If you love this trope, you can find more books on my list: “Slaves and Gladiators: 18 Fantasy Heroes Who Rise From Rock Bottom.” The first two below are adult dark fantasy and the third is YA to new adult.

  1. Fates Defiant Book Review
  2. Lion of Zarall Book Review
  3. The Broken Heir Book Review

This article contains affiliate links. I may earn a small commission on qualifying purchases at no extra cost to you.

1. Book Review: Fates Defiant by Brigitte Cromey and C.M. Banschbach

Cyrus and Bastian, stars of the arena, both despair that they will die for the whims of their cruel masters. At first enemies, when one shows unexpected mercy to the other, they develop an unusual alliance.

With the compassion of an old god and one of his followers, and the daring of Bastian’s former griffin rider comrades, they might just find freedom… if their tenuous trust can bear them through their next fight to the death.

4/5 Stars

The author pitched this story to me as “enemies to brothers” and I joked that’s how you sell me a book in 0.1 seconds. But it wasn’t a joke, because I immediately bought, read, and loved it. It’s a good thing I heard about it from the author because the cover did not at all convey these dynamics and the gladiator setting to me – I would have never picked it up. The story is told from 2 POVs with each of the co-authors taking one perspective. I deeply enjoyed both, which is rare.

It’s a bromance but it takes half the book for Cyrus and Bastian to start interacting and I felt pretty impatient. But there’s a good mix of backstory, exciting fights, and heartbreaking abuse (closed door sexual assault). The fights are awesome and there are many of them! Of the three on this list, this felt most like an exact Roman analogue… plus griffins!

The writing is good. I would have given this 5 stars if the ending had a more compelling resolution with the main antagonist and if the theme of faith been a bit more deliberate. The villain seemed to give up too quickly. Both characters start praying to an old god for deliverance, but their shift from doubt to belief felt a bit too abrupt and wasn’t clearly tied up in the conclusion. I think the authors could have developed this theme a bit more.

But I highly recommend this one – it made me laugh, cry, sit on the edge of my seat, grit my teeth because of the antagonists, and root for them and their girls.

You can find this book in print or on Kindle Unlimited.

2. Book Review: Lion of Zarall by Eddy Rose

Lion is the King’s favorite gladiator, a “purebred beast” controlled by 3 magical words that ensure his complete submission.

But when the King sends him a freeborn slave woman and commands him to produce offspring, Lion’s torturous conditioning begins to break down.

Can he find the courage to even want his freedom, as the kingdom collapses in a coup and he falls into the hands of an unusual new master – a farm girl who claims to be different, but still treats him as the answer to her debts?

3.5/5 Stars

This book has one of the cruelest, most messed up systems of slavery I’ve ever seen depicted in fantasy – it’s definitely grimdark. Spells are placed on infant “purbred” slaves that allow their owner to control them with 3 different words, unique to each slave. One word paralyzes them, the second tortures them, and in the case of “beasts,” the gladiator slaves, their third word sends them into a mindless berserker state. They are raised at ranches where a psychotic level of torture and manipulation breaks them of the will to speak, defend themselves, want or feel anything, or even look fellow slaves in the eyes. The main character, Lion, is one such “beast.”

I really liked Lion’s journey which, at its heart, is an attempt to break free from conditioning and depression and learn how to love and be human again. It’s heartbreaking to see all the things he’s forced to do and how his owners treat him as a literal animal – their religion teaches “purebreds” have no souls. Part of the book contains a romance, but I certainly wouldn’t call the book “a romance.” He also doesn’t actually spend much time in the arena, as he’s already a famous gladiator by the start of the book. But the few fights are epic!

The original blurb is actually quite misleading, especially these lines: “Lion finds himself cast into a world that wants him dead… he must survive in the harsh North where his very existence is a sin.” From the summary, I thought Lion must have fled the city following the change in power, and is wandering around in the hill country experiencing freedom for the first time. I thought that the new regime disagreed with the practice of purebred slaves on the grounds of religion or some other ideology (common spark for wars), but the new rulers are just as psychotic as the old, and after the change in power, he is immediately transferred to a different owner. Unfortunately, half of the chapters are from her POV and she is a completely unlikeable person. If we didn’t have to suffer through her nasty, bitter, self-righteous perspective, I would have given this book 4 stars.

I went on to read the second book and am eagerly awaiting the 3rd.

You can find this book in print/on Kindle.

3. Book Review: The Broken Heir by Jasper Alden and D.K. Holmberg

Talen, the clever second son of a powerful merchant family, receives a magical birthright that enables him to see possible futures.

But when his family is slaughtered by a powerful sorcerer only known as the Golden Fool, Talen is sold into slavery and forced into the fighting pits.

To enact vengeance, he must first survive the pits with his gift until he can escape with the help of his new friends… if he can trust them.

3/5 Stars

This was a decently fun read – gritty, with lots of fights. Talen’s captured and sold to the arena pretty early in the book – that’s the inciting incident – and must learn to become a fighter despite not being a natural at it. He survives through his ability to see possible futures. The source of this power was pretty unique. He makes friends with a couple fellow slaves, but I didn’t really care about either of them. The writing was just alright, but the reason I only gave it 3 stars was because of the ending.

I won’t spoil it, but the ending felt too easy and also made the book feel somewhat like a tangent. Talen’s seeking revenge for those who attacked him and his family, but they’re completely unrelated to the arena. So at the end of the book he goes to deal with the “real” problem, making the scenario in this book just feel like a detour for the sake of getting in some gladiator fights. Because he mostly relied on magic to survive, it’s not like his imprisonment in the arena was a significant “leveling up” that’s necessary before he can take revenge. But I did enjoy seeing a main character who relied on his brains rather than brawn.

If you’re looking for a quick, easy read with a subtle, magical twist on gladiator fights, this is still a fun one.

You can find this in print, as an audiobook, or on Kindle Unlimited.

Find more gladiator fantasy books here!


Hi, I’m Caylah Coffeen, a freelance editor and marketer of sci-fi and fantasy books. I love reading and writing and am a follower of Jesus Christ.

I’ve worked for Monster Ivy Publishing and Eschler Editing, and am currently a weekly editor with Havok Publishing. Reach out to chat about books and publishing!

Thanks for stopping by my website! I hope you’ve found some helpful resources about reading, writing, and publishing. If you liked this article, here’s some more free content…

How Cultivating a Creative “Input-Output Cycle” Can Prevent Writer’s Block and Enrich Your Writing

Do you know that feeling when you pick up a book and absolutely devour it, sucking it in like you’re feeding a gaping maw within your chest? And then you tear through the next few books trying to satisfy the same clawing yearning.

Then one day, your thoughts wander. You feel restless and when you open Kindle, forget that you had started the book staring at you. The words had slipped out of your mind. Scenes and dialogue fill your mind. A song catches your imagination and before you know it, it’s 2 am and you’re pacing, caught up in a battle or a scheme between characters. Before you know it, you have an entire new backstory, planet, or subplot that’s run away with you.

But then, as quickly as the flood of ideas came, they ebb away. You don’t feel like doing anything but watching TV or reading brain candy – your comfort fiction. That itch is back again that you need to satisfy, and the hunt is on for a book that will touch your heart or mind.

The Creative “Input-Output Cycle”

I call this the creative “input-output cycle.”

All creatives need a mix of input to stimulate their minds, imagination, and emotions. Without craft to emulate, ideas to inspire, and experiences to wake us, our creative well will remain dry.

Some authors can even name the story that “woke them” or tapped the buried flow of water, making it rush into and fill the well. For me, it was the chapter book series The Secrets of Droon by Tony Abbott (#myfirstedgelord) which my mother gifted to me for Christmas in 2nd grade. My parents had already cultivated a love of reading in me, but from that moment onward, I devoured books ravenously for 4 years: horse books, mystery, historical fiction, classics, and above all else, fantasy.

Then, the well overflowed, and stories started spawning in my brain. I couldn’t hold them in. They distracted me from my homework. I would spend hours daydreaming at my desk, incapable of reading because my brain had synthesized too much (no such thing), and now had to express itself.

Have you ever heard this quote?

Q: Why do you write?
A: Because I have to.

It’s not a choice, it’s a compulsion. Just as reading becomes as necessary as breathing, as vital as food for the mind, heart, and soul, so too does creation.

As C.S. Lewis said in Till We Have Faces, “I was with book, as a woman is with child.”

Input Begets Output, Output Crowns the Soul

I’ve always been confused by writers who say they struggle to come up with ideas for their next book. I’ve always had the opposite problem. In fact, the plethora of ideas makes it hard to choose where to start my stories, which could fill dozens of books (according to my outlines).

I can’t read a book, listen to a piece of music, or watch a movie without new ideas blossoming in my mind. I remember the exact moment one of the main characters of my sci-fi universe popped into my head. I was sitting in my room in my senior year of high school, reading the first chapter of Hyperion by Dan Simmons. My main character positively exploded into my mind, thereafter occupying my every waking, and sometimes sleeping, thoughts.

It’s painfully obvious when a writer is unfamiliar with storytelling. When I review a sample that makes me suspect a reading deficit, I usually suggest this exercise – I ask them to pick a couple of their favorite books and rewrite a passage of their work in each style. The answer is usually, “oh… I’m not sure. I don’t really read much.”

Can an artist learn to paint even if they’ve never set foot in an art museum? Yes. Can a musician compose even if they hardly ever listen to music? Yes.

But they might as well be half blind and half deaf in their endeavors. Our brains need stimulation to form new networks, patterns, and understanding. If you are having trouble writing, then read! I know you’ve heard this. Reading is the most important form of input for a writer, but other creative inputs are also vital – art, music, dancing, religious experiences, travel, and so on.

But the opposite is also true. You could be in a reading slump, slightly irritated at everything you pick up, because nothing quite seems to touch that deepest place within your soul. These days, it’s actually easy for our brains to become oversaturated with input – that might be your problem.

If you’re having trouble writing, it might be because you’ve had too much input, and of the wrong type. Imagine again our well of creativity. If you’re constantly tapping into various underwater streams, you could end up with a geyser of Kool-Aid that turns your creative landscape into a nasty sludge of punch, rather than a full well of spring water that you can dip into and disperse with control.

It might be time for some quiet. Let your mind digest everything you’ve consumed and settle. Go back and savor one course a bit more deeply. Your original ideas might be fighting to emerge from the roiling stream of external ideas you keep cramming into yourself.

And what you add to the world’s body of stories will be your crowning achievement, standing atop all you’ve uniquely experienced.

Finding a Creative Balance

Finding the right balance of input and output takes time. In my experience, the right combination has also varied depending on my life circumstances. Sometimes poor mental health led to an abundance of my own stories as a form of emotional expression, while other times I drowned out my own thoughts with other peoples’ stories. New experiences sometimes compel me to add a new facet to my world, while other times curiosity inspires me to read and research a ton about that experience just for the sake of learning.

I’ve come to listen to myself and notice the type of restlessness and frustration I feel when my mind is ready to shift from one part of the creative cycle to the next. When I’ve spent several days reading the first few chapters of a dozen books, with none managing to capture my interest, I’ll start to poke at my own worldbuilding and outlines instead. When I start rewriting the same scene in my mind in every possible iteration till it feels like I’m beating a dead horse, I’ll return to my TBR list, often picking something completely different from the story I’d been working on to shake my brain loose.

I’ve spent months to years in an “output” cycle as my stories rapidly expanded, barely watching or reading anything in that time. But recently, I “cycle” more rapidly, reading multiple books in a few weeks, then switching back to scene development for a couple weeks, and so on.

Name Your Process… and Feel Less Insane

I come from a big family (7 kids!) and over half of us love to write. When we started to articulate our process like this, it helped us understand each other and ourselves so much better. It also helped our non-writer relatives and friends understand our “crazy” a bit better!

Sis: Hey, do you want to watch Stargate?
Me: Nah, not tonight.
Sis: Aww, you said that last weekend, come on!
Me: I know! But I’ve been in output mode. I can’t get this scene out of my head. I just need to get it down!

Me: Hey, how are your stories going? What have you been working on recently?
Sis 2: Ah, I felt kind of stuck on that one character. It was really annoying me so I stopped working on it for a while. I must’ve read at least 5 Mercedes Lackey books in the past week though!
Me: Nice! I’ve been in input mode too. I picked up Nine Princes in Amber and now I’m trying to get my hands on everything Zelazny ever wrote.

Giving yourself permission to take a break and just enjoy stories can be hugely relieving! Not to mention practical for building both empathy and craft skills.

It can be harder to notice when you’re oversaturated and need to take a break to let your own ideas bubble to the surface, but this is also a practice that will greatly benefit your creative process in the long run.

There’s no right or wrong way to balance an “input-output cycle.” You could write in the morning and read in the evening, or vice versa. You could write all day on the weekends and read your comfort fics during the work week. Or if you’re chasing down a deadline, you could do nothing but bang out that draft for several months, and then go on a binge afterwards.

But naming where I am in my creative cycle and discovering what helps me transition between “input mode” and “output mode” has been hugely helpful to me in sustaining both the development of my stories and a well-read mind.

How well do you know yourself? Are you in control of your creative “input-output cycle?”


Hi, I’m Caylah Coffeen, a freelance editor and marketer of sci-fi and fantasy books. I love reading and writing and am a follower of Jesus Christ.

I’ve worked for Monster Ivy Publishing and Eschler Editing, and am currently a weekly editor with Havok Publishing. Reach out to chat about books and publishing!

Thanks for stopping by my website! I hope you’ve found some helpful resources about reading, writing, and publishing. If you liked this article, here’s some more free content…

Slaves and Gladiators: 18 Fantasy Heroes Who Rise From Rock Bottom

Enslaved warriors, conquered peoples, arena and pit fights, prisoners of war… a great story starts with conflict and a burning character desire. Few trials compare to losing one’s freedom – a hero’s rise to greatness can feel even more powerful when they have to overcome complete powerlessness.

So here is a list of fantasy books that feature a main character who is enslaved for a significant portion of the story and must struggle to seize freedom and revenge. A few of these are the 2nd or 3rd in a series but can be read out of order (new POVs, different place in the world).

This list does NOT include:

  • Erotica, BDSM, or dark romance (there is off-screen sexual assault in #2, #5, & #13)
  • Stories that start after the mc’s enslavement has ended (like The Curse of Chalion by Lois McMaster Bujold)
  • Books that feature slavery or slave revolts as a theme/plot but without a slave’s POV (like Liveship Traders by Robin Hobb)

Genres represented: high and epic fantasy, sword and sorcery, sword and sandal, dark fantasy, grimdark, adult, & a couple of YA fantasy books.

This article contains affiliate links. I may earn a small commission on qualifying purchases at no extra cost to you.

1. The Way of Kings (The Stormlight Archives #1) by Brandon Sanderson

The Way of Kings cover: an armored figure stands at the edge of a chasm, thrusting his blade into a sunset partially obscured by a gathering stormfront.

A king is murdered on the eve of a peace treaty, sparking a war between the warlike Alethi and the mysterious tribe of nonhuman Parshendi. Thus starts a decade-long war of attrition on the Shattered Plains, one of the most inhospitable places on Roshar, a rocky world torn apart by vicious storms and imbued with the power of Stormlight. Leading the charge are Shardbearers, noble warriors bonded to historic blades of incredible power that can be summoned at will.

The story follows the surviving royal Kholin family as they struggle to hold their fracturing country together, Shallan, a foreign noblewomen chasing mysteries at the heart of the world’s conflicts while running from the devastating secrets in her past, and Kaladin, an Alethi spearman betrayed into slavery by his leaders, who shines brighter than them all, even when thrown to his death on the plains of war.

Find my review here.

2. Fates Defiant by C.M. Banschbach and Brigitte Cromey

Cyrus, the unbeatable Golden Sun, has been trained since his youth to annihilate opponents on the sands—but he’s no less a prisoner than the criminals he faces, and his usefulness to his masters lasts only as long as the money keeps coming in.

Bastian Lytos, a former griffin rider sentenced to the Arena for disobeying orders in battle, knows only despair. When fate throws him into the path of the Arena champion, he begins to wonder whether the gods—one in particular—sent him here for a reason.

An unlikely alliance forms, but in order to survive long enough to see freedom, they’ll have to fight… To the death.

Find my review here.

3. The Light of Eidon (Legends of the Guardian-King #1) by Karen Hancock

Abramm has dedicated the last eight years of his life to becoming worthy to tend the Sacred Flames of Eidon. But on the eve of taking the vows that will irrevocably separate him from the life he was born to—as Abramm Kalladorne, fifth son of the king of Kiriath—he is betrayed by his spiritual mentor and sold into slavery by his brothers.

Flung into a world of galley ships and ancient mist-bound cities, Abramm is forced to compete as a gladiator. When the oppressed masses rally around his success, he discovers his suffering has molded him into something greater than he ever thought possible—to serve a purpose he never imagined.

4. Transformation (Rai-Kirah #1) by Carol Berg

Seyonne has been a slave for sixteen years, almost half his life, and has lost everything: his dignity, the people and homeland he loves, and the Warden’s power he used to defend an unsuspecting world from the ravages of demons. Seyonne forces himself to exist only in the present moment and to avoid the pain of hope or caring about anyone.

But from the moment he is sold to the arrogant, careless Prince Aleksander, the heir to the Derzhi Empire, Seyonne’s uneasy peace begins to crumble. And when he discovers a demon lurking in the Derzhi court, he must find hope and strength in a most unlikely place…

5. Winter Be My Shield (Children of the Black Sun, #1) by Jo Spurrier

Sierra escapes slavery under the king’s torturer and his apprentice Rasten, falling in with the fugitive Prince Cammarian and his foster-brother, Isidro, recently crippled at her master’s hands.

Prince Cammarian struggles to defend his homeland from invaders, while questioning whether to trust their new ally Sierra… whose horrifying magical power is punishable by death in the frozen north.

When Isidro is enslaved by the invading army, and Rasten approaches Sierra with a plan to kill the master they both abhor, she and Cammarian must decide what price they are willing to pay for freedom…

6. The Broken Heir (The Golden Fool #1) by Jasper Alden and D.K. Holmberg

On his sixteenth birthday, Talen is given a magical birthright that forever changes his life. When his family is slaughtered by a powerful sorcerer only known as the Golden Fool, Talen is sold into slavery and forced into the fighting pits.

There he finds violence and killing, but also two friends who lighten his misery. He must use his birthright—the ability to glimpse possible futures—to survive.

All he wants is vengeance. Find those responsible for killing his parents, and get to the Golden Fool. First, he must escape the pits, using his wits and his magical gift. Even that might not be enough.

Find my review here.

7. Powers (Annals of the Western Shore #3) by Ursula K. Le Guin

Young Gav can remember the page of a book after seeing it once, and, inexplicably, he sometimes “remembers” things that are going to happen in the future.

As a loyal slave, he must keep these powers secret, but when a terrible tragedy occurs, Gav, blinded by grief, flees the only world he has ever known. And in what becomes a treacherous journey for freedom, Gav’s greatest test of all is facing his powers so that he can come to understand himself and finally find a true home.

8. Land of the Burning Sands (Griffin Mage #2) by Rachel Neumeier

Gereint Enseichen of Casmantium knows little and cares less about the recent war in which his king tried to use griffins and fire to wrest territory from the neighboring country of Feierabiand, but he knows that his kingdom’s unexpected defeat offers him a chance to escape from his own servitude.

But now in a position of strength, the griffins are not inclined to forgive. Willing or not, Gereint will find himself caught up in a desperate struggle between the griffins and the last remaining Casmantian mage. Even the strongest gifts of making and building may not prove sufficient when the fiery wind of the griffins begins to bury the life of Casmantium beneath the burning sands…

9. The Prince of Shadow (Seven Brothers #1) by Curt Benjamin

Llesho was seven when the Harn invaded his family’s mountain kingdom of Thebin. Sold into slavery on Pearl Island, he was, as far as he knew, the sole survivor of his royal family.

When Llesho was ten, the old man called Lleck secretly began to undertake the boy’s education, revealing that all six of his older brothers were still alive!

So Llesho petitioned his lord to be trained as a gladiator, to win his freedom, find and rescue his brothers, and with their help raise an army against the evil Harn.

10. Midnight Falcon (The Rigante #2) by David Gemmell

Bane the Bastard is the illegitimate son of the Rigante king. Born of treachery, Bane grew up an outcast in his own land, feared by his fellow highlanders, and denied by the father whose unmistakable mark he bore–one eye tawny brown, the other emerald green.

Bane found acceptance across the seas–only to have it stripped away by a cruel and deadly swordsman. Now fighting as a gladiator in the blood-soaked arenas of the Empire, Bane lives for one thing: revenge.

But the armies of the Stone are preparing to march on the lands of the Rigante. The fate of human and Seidh alike will be decided by the clash of swords–and by the bonds of twisted love and bitterness between a father and a son . . .

11. Dragon Weather (Obsidian Chronicles, #1) by Lawrence Watt-Evans

The dragons only emerged from their deep caverns when the weather was right, with thick clouds and sweltering heat. It was on such a day that Arlian’s home village was destroyed, his family and friends slaughtered.

He survived, though, and swore vengeance on the dragons, and on the looters and slavers who had captured him in the ruins. But no one had ever slain a dragon; how could a mere slave hope to do so?

12. Steal the Dragon (Sianim #2) by Patricia Briggs

When Rialla was young, slave traders from Darran ambushed and enslaved her clan. For years, Rialla lived in bondage, and when a chance came to escape, she fled to the mercenary nation of Sianim.

Now she can strike back at her former masters. A lord in Darran seeks to outlaw slavery—but there are plots to kill him before he can. Rialla is chosen by the spymaster of Sianim to prevent the murder—and is plunged into a world of deadly magic, where gods walk in human form, and her most trusted companions are not what they claim. And where Rialla could be enslaved again…

13. Threshold by Sara Douglass

Over the hot land of Ashdod looms Threshold, the pyramid which the Magi of Ashdod are building to propel themselves into Infinity. Thousands of slaves have given their lives to the construction of Threshold, now almost complete.

The Master of the Magi knows the glassworker slave Tirzah is hiding something, but he would never guess her secret is forbidden magic. Tirzah can communicate with glass—and the glass in Threshold screams to her in pain. For it knows what no one suspects: Something waits in Infinity, watching, biding its time. When the glass capstone is cemented in blood, it plans to step from Infinity into Ashdod…

Find my review here.

14. Slaves of the Sword and Wand (Songs of the Sword and Wand #1) by Joel Newlon

From the age of seven, Dunstan has been enslaved in the army of Thursley. After thirty years in the fire of constant warfare, he has been forged into an unbreakable warrior.

Oswynn is the property of the Sisters of the Withered Branch, the order of witches who serve the earls of Thursley. Brighter and more gifted than her fellows, she yearns for so much more.

Hand-in-hand, can they really stand against the traditions of hatred and break the chains of bondage, or are they doomed to forever be slaves of the Sword and Wand?

15. The Slave’s Blade: An Epic Fantasy Novel (Sword and Shadow #1) by Uri Zur

In the snowy forestlands of northern Asa’in, the young sorcerer apprentice Tandu embarks on a peacekeeping mission on behalf of her order, the Shadow Towers, following the theft of an ancient magical artifact

At the heart of the twin continent of Edorarr, in the great gladiator arena of the southern empire, a slave is fighting for his life, drawing both admiration from his friends—and the ire of his masters.

Eryk, is one of those friends, who trains Rahlon in the hope that he can win freedom, as he could not. But Eryk hides a dark secret, one that connects Rahlon’s forgotten past and the dark shadow that amasses at the northern edges of the world…

16. Lion of Zarall (Twilight of Blood #1) by E.B. Rose

In a world where dragons once soared alongside gods, Lion of Zarall is the most feared gladiator in history. Branded, collared, and forced to kill, he’s known only as soulless property.

But when everything changes in a single night of dark magic and political betrayal, Lion finds himself cast into a world that wants him dead. His past fame is now a curse, his name an insult to the new order.

Hunted by the king and ailed by a deadly injury, he must survive in the harsh North where his very existence is a sin — and confront the invisible chains that bind him. But if his obedience shatters, he’ll face a fate far worse than death.

Find my review here.

17. Tales of Nevèrÿon (Return to Nevèrÿon #1) by Samuel R. Delany

During a political coup in the port city of Kolhari, fifteen-year-old Gorgik is taken as a slave to the government obsidian mines in Nevèrÿon’s Faltha Mountains. Years later, he is sold to serve one of the royal families, and eventually the army. When he is finally free, he leads a rebellion against Nevèrÿon’s rulers to end the tyranny of slavery.

His is the through-story that connects these first five stories, in Tales of Nevèrÿon—and all the eleven stories, novellas, and novels that the series, Return to Nevèrÿon, where we can watch civilization first develop money, writing, labor, and legends.

18. The House of the Stag (Lord Ermenwyr #2) by Kage Baker

When the Riders conquered and enslaved the pastoral Yendri, only one possessed the necessary rage to fight back: Gard the foundling, half-demon, who began a one-man guerrilla war against the Riders, which ended in the loss of his family, condemnation from his own people, and enslavement to powerful mages.

Bitter and wiser, he finds more subtle ways to earn his freedom. This is the story of his rise to power, his vengeance, his unlikely redemption, and his maturation into a loving father―as well as a lord and commander of demon armies.


Hi, I’m Caylah Coffeen, a freelance editor and marketer of sci-fi and fantasy books. I love reading and writing and am a follower of Jesus Christ.

I’ve worked for Monster Ivy Publishing and Eschler Editing, and am currently a weekly editor with Havok Publishing. Reach out to chat about books and publishing!

Thanks for stopping by my website! I hope you’ve found some helpful resources about reading, writing, and publishing. If you liked this article, here’s some more free content…

Book Review – Genghis: Birth of an Empire by Conn Iggulden (Historical Fiction Mongolia)

Rating: 4/5 stars

Genghis: Birth of an Empire is a thrilling, historically accurate rendition of Genghis Khan’s journey to adulthood, filled with betrayal, brotherhood, revenge, and daring feats of battle across the brutal yet gloriously beautiful Mongolian steppes.

This is the first book I read in 2026 and the first I’ve truly enjoyed in over a year! I had an unfortunate reading slump in 2025 – nothing really hit the spot. A great way to kick off the new year.

Writing: 5/5

The writing style is beautiful – from the first chapter I was making happy noises to myself about the phrasings. There’s a great mix of narrative exposition and close scenes that enables the book to cover about 20 years of time with excellent pacing, thrilling fights, emotional content, and historic information.

Accuracy: ?

I really appreciated the author’s note at the end which explained the research he did and the few small changes he made for the sake of storytelling – on the whole, this seems like an accurate telling, though I don’t know much about this region’s history, so I can’t say for sure. I learned a lot about Mongolian traditions and the background of Genghis Khan – I knew nothing about his personal history except for the early loss of his father.

I really appreciated all the details about horsemanship and archery, life on the plains, and their brutal “survival of the fittest” mentality with no real rule of law in the land. Apparently, the right time to loose an arrow while riding at full gallop is the moment when all 4 hooves are off the ground, because there’s no chance of the shot being jolted off course. Insane. I absolutely recommend this for worldbuilding research if you’re a fantasy writer with any cultures centered around warfare and horses.

Characters: 5/5

The villains in this story are so hateable! It’s been a while since I’ve been so excited to see the villain finally get it – man, he needed to die! I was fully consumed with Temujin’s rage and thirst for revenge. I found myself actually holding my breath and leaning forward on my seat, gritting my teeth as he’s beaten and betrayed, nearly killed, and yet still manages to come out on top. This poor kid (and everyone he cares about) just can’t catch a break. It wasn’t long before the brutal conquest for which he is known started to sound pretty appealing.

I never expected to relate to Genghis Khan (birth name Temujin)… that’s the power of fiction. Temujin is actually really likeable, though the author does not minimize his very real character faults. He is ambitious and arrogant, but also deeply loyal to his family and clan – which makes it all the more heart wrenching when he is betrayed. He has a pure love of the Mongolian way of life that is contagious – my heart was in my throat as I enjoyed alongside him the thrill of riding, the banter between brothers, the tenacity required to scale a cliff face to steal a great eagle’s chicks, and his raw athleticism and skill with the bow even as a child.

He says, “my word is iron and iron does not break.” He is a deeply passionate person, driven by determination to be excellent, a stubborn refusal to die, and sheer, absolute audacity. This is absolutely adult fiction, but he might sound a bit like a YA character. With none of the infuriating elements though, because Iggulden is not afraid to show him fail and suffer the consequences of his actions. His grand rhetorical appeals to honor sometimes fall on deaf ears, and sometimes succeed, earning him the loyalty of great men.

He often acts reckless, but does not expect to come out unscathed. He clearly states that he does not expect to survive his most audacious act and is surprised that he manages to essentially BS and murder his way into the rulership of a clan. A YA character would strut around expecting to succeed and be shocked when they fail. Temujin is forced to become a man early – he knows his youth still predisposes him to recklessness and chooses older advisors to temper this inclination.

Content: 4/5

This was a very character-focused book, which surprised me in a way. I thought it’d be more plot (history) heavy, but I really loved how much this focused on cultural beliefs (what a marriage looks like, attitudes toward outsiders, hosting laws, the afterlife), family relationships, and the mental resilience required to not just survive a horrible event, but to thrive and rise again.

The reason I actually gave it 4 rather than 5 stars was because Temujin doesn’t really develop or change as a character. He starts out as a power-motivated, charismatic, talented boy, and ends the story as a powerful, charismatic, talented man and Khan. He is compelling, but actually pretty shallow aside from his unwavering loyalty to his family – “I want to kill my enemies and be great. Now I’ve killed my enemies, I want to be greater.” – which is entirely accurate to history! But it took me a while after I finished reading to articulate why, despite how much I enjoyed the characters, content, writing style, and emotional impact, it stood as a solid 4 star in my mind.

These are not deep people (there’s a reason the world doesn’t read Mongolian poetry, despite how far they conquered) – these characters overcome great hardships and earn their revenge and a place for their family again, but all they do is perpetuate the same cycle of blood-feuds and slaughter that destroyed them, with no belief or hope in anything greater – whether a god, the beauty of a civilization they might build, or even the lasting nature of their new clan bonds. It’s rather sad how nihilistic they are – kill, steal, drink, for tomorrow we die. This isn’t a fault on the author – in a way it shows how well he captured their attitude. But it does mean the tale can only make so much of an impact on readers.

This was a pretty intense story with a lot of R-rated content: mob rape, ritual executions, torture, fratricide, wholesale slaughter. So I definitely need a break from it, but I look forward to reading the sequels. I’m fascinated with how the Chinese were introduced near the end of the story and want to see how those politics lead into the war of expansion we all know.

I listened to this as an audiobook, and it was excellent. It would make an epic film!


Hi, I’m Caylah Coffeen, a freelance editor and marketer of sci-fi and fantasy books. I love reading and writing and am a follower of Jesus Christ.

I’ve worked for Monster Ivy Publishing and Eschler Editing, and am currently a weekly editor with Havok Publishing. Reach out to chat about books and publishing!

Thanks for stopping by my website! I hope you’ve found some helpful resources about reading, writing, and publishing. If you liked this article, here’s some more free content…

15 Immortal, Long-lived, Ancient, or Eternally Youthful Protagonists in Fantasy Books

Immortal warriors, ancient (yet eternally youthful) mages, elves, yokai, and characters cursed to live forever… Readers have long been fascinated by centuries-old heroes, from the enduringly popular Greek gods or Doctor Who, to the more recent phenomena of Frieren: Beyond Journey’s End and the immortal cultivators of progression fantasy.

Let’s look at some of them here! I’ve included both old and new, and traditionally published and indie releases. In each case, the immortal (or hard to kill) character has POV or is the main focus of the story, rather than a side character, mentor, or antagonist. This trend appears popular across multiples subgenres, including epic and dark fantasy, sword and sorcery, science fantasy, urban fantasy, contemporary, and cozy fantasy.

  1. Immortal human characters
  2. Non-human immortal characters

This article contains affiliate links. I may earn a small commission on qualifying purchases at no extra cost to you.

Immortal Human Characters

Classic and pulp fantasy examples

1. Belgarath the Sorcerer by David Eddings

When the world was young and Gods still walked among their mortal children, a headstrong orphan boy set out to explore the world.

Then came the dark day when the Dark God Torak split the world asunder, and the God Aldur and his disciples began their monumental labor to set Destiny aright. Foremost among their number was Belgarath, who would become known to all the world as the finely honed instrument of Prophecy.

2. Gods in Darkness (Kane) by Karl Edward Wagner

Kane An immortal, cursed to wander the Earth until he is destroyed by the violence that he himself has created. A warrior and statesman: As comfortable in the shadowy halls of courtly intrigue as he is on the bloody battlefields where those intrigue’s inevitably play themselves out.

Gods in Darkness contains:
Bloodstone (1975) – on Internet Archive
Dark Crusade (1976) – on Internet Archive
Darkness Weaves (1970, revised 1978)

Many readers recommend the Night Winds short story collection as a better place to start the series.

3. The Book of Jhereg (Vlad Taltos #1) by Steven Brust

One of the most powerful bosses in the Jhereg—Dragaera’s premier criminal organization—hires Vlad, one of their guild members, to assassinate Mellar, who stole millions from the Jhereg leadership and fled.

Unfortunately, this thief turns out to be protected in a way that makes it difficult for Vlad to do his job without gaining the permanent enmity of a friend.

The Book of Jhereg follows the antics of the wise-cracking Vlad Taltos and his dragon-like companion through their first three adventures—Jhereg, Yendi, and Teckla.

4. The Eternal Mercenary (Casca #1) by Barry Sadler

When they flew Casey into the hospital at Nha Trang, the medics were sure he’d die. That he didn’t was only the first surprise.

The second, bigger one, was that Casey had been fighting for two thousand years, ever since that day on Golgotha when he put his lance into the side of the Man on the Cross.

“Soldier, you are content with what you are. Then that you shall remain until we meet again.”

So does Casca’s journey begin, a man who cannot die, does not age, and knows no skill but those of battle.

Modern fantasy examples

5. The Invisible Life of Addie LaRue by V.E. Schwab

The Invisible Life of Addie LaRue cover: block text fills the whole textured black cover, a constellation connected several letters.

France, 1714: in a moment of desperation, a young woman makes a Faustian bargain to live forever—and is cursed to be forgotten by everyone she meets.

Thus begins the extraordinary life of Addie LaRue, and a dazzling adventure that will play out across centuries and continents, across history and art, as a young woman learns how far she will go to leave her mark on the world.

But everything changes when, after nearly 300 years, Addie stumbles across a young man in a hidden bookstore and he remembers her name.

6. Hounded (The Iron Druid Chronicles #1) by Kevin Hearne

Atticus O’Sullivan is the last of the ancient druids, on the run for more than two thousand years. The Irish gods who want to kill him are after an enchanted sword he stole in a first-century battle, and when they find him managing an occult bookshop in Tempe, Arizona, Atticus doesn’t want to uproot his life again.

The Morrigan is on his side, and so is Brighid, First Among the Fae, a bloodsucking lawyer, and loyal wolfhound.

But he’s facing down Aenghus Óg, a vengeful Irish god with the firepower of hell, plus a coven of witches and even the local police. Atticus will need all the luck of the Irish to stay alive.

7. Black Stone Heart (The Obsidian Path #1) by Michael R. Fletcher

A broken man, Khraen awakens alone and lost. His stone heart has been shattered, littered across the world. With each piece, he regains some small shard of the man he once was. He follows the trail, fragment by fragment, remembering his terrible past.

There was a woman.
There was a sword.
There was an end to sorrow.

Khraen walks the obsidian path.

8. The Radiant King by David Dalglish

Radiance, the mysterious power of life and creation, is at the command of six immortals. Yet when the world is nearly broken beneath them, they swear a vow: They will sit upon no thrones.

But after centuries of peace, Eder rejects their vow and spreads a new, cruel faith across the land. Faron and Sariel swear to crush Eder’s kingdom, but they will need an army and a ruler who can take the throne their own vow forbids: the fanatical Bastard Princess.

But Eder’s conquest is not what it seems, and it will take more than a holy war to stop an immortal who has heard the desperate plea of a god.

9. The Immortal Prince (The Tide Lords #1) by Jennifer Fallon

A routine hanging goes wrong, and the murderer announces he is an immortal: Cayal, the Immortal Prince, a fictional hero of legend, and the creator of the half-human, half-animal Crasii, a race of slaves.

Arkady Desean is an expert on the legends of the Tide Lords so at the request of the King’s Spymaster, she is sent to interrogate this would-be immortal, hoping to prove he is a spy, or at the very least, a madman.

But as Arkady finds herself believing him, her own web of lies begins to unravel…

Non-human Immortal Characters

Demigods, spirits, yokai, gods and goddesses, fae, elves, and other legendary or mythological creatures! Many immortal main characters are inhuman and all the more compelling for it.

10. Nine Princes in Amber (The Chronicles of Amber #1) by Roger Zelazny

Amber is the one real world, casting infinite reflections of itself – Shadow worlds, that can be manipulated by those of royal Amberite blood. But the royal family is torn apart by jealousies and suspicion; the disappearance of the Patriach Oberon has intensified the internal conflict by leaving the throne apparently up for grabs.

In a hospital on the Shadow Earth, a young man is recovering from a freak car accident; amnesia has robbed him of all his memory, even the fact that he is Corwin, Crown Prince of Amber, rightful heir to the throne – and he is in deadly peril . . .

11. The Raven Tower by Ann Leckie

For centuries, the kingdom of Iraden has been protected by the god known as the Raven. He watches over his territory from atop a tower in the powerful port of Vastai. His will is enacted through the Raven’s Lease, a human ruler chosen by the god himself. His magic is sustained by the blood sacrifice that every Lease must offer. And under the Raven’s watch, the city flourishes.

But the Raven’s tower holds a secret. Its foundations conceal a dark history that has been waiting to reveal itself. . . and to set in motion a chain of events that could destroy Iraden forever.

12. The Bone Harp by Victoria Goddard

Thrice-cursed bard and warrior-elf Tamsin wakes up in Elfland after what might or might not have been his death, healed and hale for the first time in millennia. Somewhat confused but not entirely unhappy with this turn of events, he sets off in the hopes of finding a way home…

A standalone tale of friendship, family, and fair Elfland.

13. The Golem and the Jinni by Helene Wecker

Chava is a golem, a creature made of clay by a disgraced rabbi knowledgeable in the ways of dark Kabbalistic magic.

Ahmad is a jinni, a being of fire born in the ancient Syrian desert and trapped centuries ago in an old copper flask by a Bedouin wizard.

Chava and Ahmad meet accidentally in New York and become friends and unlikely soul mates. But when the golem’s violent nature overtakes her one evening, their bond is challenged. An even more powerful threat will emerge, however, challenging their very existence and forcing them to make a fateful choice.

14. Under the Earth, Over the Sky by Emily McCosh

In the woods where human lands meet fae, an ancient king born before the history of men finds a dying baby. Iohmar will take in the child and care for him until a suitable home in the human realm is found. But best laid plans often go awry in the lands of Látwill.

Magic long tethered to Iohmar’s soul will crumble. Unknown shadows and monsters of mirrored glass will encroach upon the borders of their land. And memories thousands of years lost will unravel as Iohmar struggles not only to properly rule his fair folk, but protect the fragile human son he never should have saved.

15. Acheron (Dark-Hunter #14) by Sherrilyn Kenyon

Eleven thousand years ago a god was born. Cursed into the body of a human, Acheron spent a lifetime of shame. However, his human death unleashed an unspeakable horror that almost destroyed the earth. Then, brought back against his will, Acheron became the sole defender of mankind.

For centuries, he has fought for our survival, until a lone woman who refuses to be intimidated by him threatens his very existence.

Now his survival, and ours, hinges on hers and old enemies reawaken and unite to kill them both. War has never been more deadly… or more fun.


Hi, I’m Caylah Coffeen, a freelance editor and marketer of sci-fi and fantasy books. I love reading and writing and am a follower of Jesus Christ.

I’ve worked for Monster Ivy Publishing and Eschler Editing, and am currently a weekly editor with Havok Publishing. Reach out to chat about books and publishing!

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