Book Review: A Confusion of Princes by Garth Nix (YA Space Opera)

Rating: 3/5 Stars

I loved Garth Nix’s Keys to the Kingdom series when I was a kid and was excited to pick up one of his other books (especially since I recently reread the Keys books and found my appreciation undiminished). His foray into space opera with A Confusion of Princes sounded fun, with some original worldbuilding concepts, but the story ended up trying to do too much and too little at once, resulting in a rather disappointing ending, particularly in the character development department.

Synopsis:

Khemri is one among millions of Imperial Princes (neutral gender title), taken from his family at a young age to receive biological and technological enhancements that will set him up for immortality and power. He expects a leisurely ascension, but on the day he comes of age, Khemri barely survives an attempted assassination and must flee the system with his only loyal servant. As he enters an Imperial naval academy, encounters the brutal politicking of other Princes, and learns secrets of the Empire that he never wished to know, he begins to question whether his “superior path” is really a life worth living.

Characters: 3/5

Khemri is a hilarious narrator. His older self tells the story in first person, looking back on the events. If it had been just first person, Khemri would have been a wildly unreliable narrator. His older self is aware of this, and shares both his original thoughts and his wiser reflections (“actually I was a spoiled idiot”), which makes for a highly amusing contrast.

He has a great mix of literal strengths (a whole heap of body augmentations and psychic abilities that are really cool to see in action), and latent character strengths – disinclination to bow and scrape to any authority, bravery, a thirst for fun and freedom (he really just wants to run around the universe with his own ship). Plus a host of weaknesses that at first he doesn’t think are weaknesses at all because of how he’s been raised – arrogance, disregard for any human life besides his own, entitlement, laziness, disrespect.

If we had been able to see Khemri really wrestle with these weaknesses, the outcome of the story would have been incredibly rewarding. But it’s more of an on-off switch. He lives for a time undercover with regular people, falls in love, and suddenly decides to jettison everything he grew up believing. That kind of sudden change is certainly possible in a person, especially in life or death situations (which it was), but we needed to see and feel it happen, rather than just be told of the shift.

The side characters are not developed very well, largely because Khemri doesn’t care about anyone but himself for most of the book. We don’t learn much about his super cool master of assassins, because Khemri just uses him or ignores him. This changes by the end, but the book is largely introspective rather than relational.

Plot: 3/5

This book seemed to jump all over the place. In some ways, I enjoyed how it kept surprising me – every time I thought I got a sense of where we were going, something shifted. It wasn’t a typical “super soldier academy” or “compete to become the next emperor” or “subvert the evil empire” story. But on the other hand, it tried to be a little bit of all of those at once, and therefore didn’t focus enough on any one of the arcs to make them compelling.

I think this book would have worked a lot better as at least a duology rather than a standalone – I actually didn’t realize it was a standalone when I started it. I just assumed it was a series, because the amount of worldbuilding we get right off the start indicates SO much could happen.

Instead, we get a little bite of everything, and then the main character moves on (usually not by choice) before we can really dig deeper into the relational dynamics at play. I personally would have loved to see a full book at the academy, a full book with him outside the empire, and a full book with him at its heart facing the political situation before all 3 elements came to a head.

As it is, we jump from conflict to conflict without any build up for the next – the finale didn’t feel like one because it started and ended so suddenly, with little time to catch up emotionally. The main character didn’t even really seem to care about what was happening, which made the readers care less too.

Worldbuilding: 4/5

I loved the worldbuilding here – it was my favorite part of the story, which is unusual for me. Usually I’m 110% about the characters. I suspect that Garth Nix cared about the worldbuilding more than the characters here too, which is why the ending fell a little flat. He wrote a worldbuilding piece that tried to have a character-driven ending, which meant neither worked as well as they could have.

But the psychic hierarchy of the empire is fascinating. Millions of Princes (both male and female but all called Princes) are taken from their families when very young, augmented and trained, and then join the “imperial mind,” a sort of hive controlled by the Emperor that connects them – allowing communication, witnessing, data transfer, orders, and the saving of consciousnesses for rebirth.

There are 3 types of dominant tech in the Empire that they all learn – psi-tech, bi-tech, and mech-tech – and some of the Empire’s enemies have superior ability with one but not all of them. We get one really cool battle with a parasitic alien race that has stronger psi-tech, nearly overwhelming Khemri’s mind. But then we move on…

We don’t really get to see him training with these (and I love training montages!), learning how to face the Empire’s enemies, or integrating into the larger political system of princes. Because the book covers 2 years and crams in a LOT – Khemri keeps moving around to new places so we get a bite-sized look at a lot of facets of the Empire and it’s abilities, but no real focus.

Writing: 3/5

This book was heavy on exposition. At first I enjoyed how Nix skips through time, skimming over unnecessary details to keep the pace moving. But there were some details I wanted to see, like Khemri’s military training, how he became friends with another cadet (we’re just informed “they became friends”), and how his love interest started to change his attitudes about what really matters in life.

That last one is the most important, because it’s falling in love with Raine that makes him completely change as a person, but we only get a few scenes of them in actual dialogue together. Then we’re informed they strike up a relationship and that things are mostly physical for a while, but then they do start “getting to know each other more.” We don’t actually see how and barely know anything about this girl. And so his transformation and choices at the end of the story felt unearned and emotionally uncompelling.

Audiobook: 5/5

I listened to this on audiobook and thought the narrator did an excellent job, particularly with Khemri’s self-deprecating sass!

Conclusion:

I’m glad I read this and it’s sparked a lot of worldbuilding ideas for me, but I really feel like Garth Nix could have done more with this world and these characters! I wonder if his publisher asked for a YA standalone (this was published back in 2012 at the height of the craze) when he might have preferred to write a more mature new adult trilogy. If he ever decides to publish a “revised author’s edition,” I would absolutely read it again.

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Hi, I’m Caylah Coffeen, a freelance editor and marketer of sci-fi and fantasy books. I love reading and writing and am a follower of Jesus Christ.

I’ve worked for Monster Ivy Publishing and Eschler Editing, and am currently a weekly editor with Havok Publishing. Reach out to chat about books and publishing!

Thanks for stopping by my website! I hope you’ve found some helpful resources about reading, writing, and publishing. If you liked this article, here’s some more free content…

Interview with Kathy Tyers: Cover Reveal for Upcoming Novel Firebreak

Kathy Tyers writes character-driven science fiction with a deep heart and an inquiring spirit. She is the author of the Firebird series – Firebird, Fusion Fire, Crown of Fire, Wind and Shadow, and Daystar – of the Star Wars universe novels Truce at Bakura and New Jedi Order: Balance Point, and of several stand-alones.

She returns to the Firebird universe with her upcoming release Firebreak, which takes place between Crown of Fire and Wind and Shadow. Releasing March 10, 2026 and now available for preorder, with 20% off on Enclave Publishing’s website!

Cover art by Kirk DouPonce at DogEared Designs

Lady Firebird Caldwell returns to the world of her birth, Netaia, intending to introduce her young sons to the noble Electors while her husband, Brennen, conducts a military inspection. When mysterious ships in distress suddenly approach the planet, the Electorate sends her to initiate first contact. Forced to work alongside a vengeful childhood enemy, Firebird uses everything within her power—even her passion for music—to negotiate, only to discover their alien technology threatens all the worlds she holds dear.

Facing ruthless betrayal, Firebird undertakes a deadly journey to salvage the mission. Brennen must make daring use of his telepathic powers to save human life in the galactic Whorl, including that of their young sons. But saving the worlds might force Brennen to give the order that would mean Firebird’s death. In a galaxy poised on the edge of ruin, survival may demand the ultimate sacrifice—from them both.

Caylah: I’m so excited to hear that you’re releasing a new book in the Firebird universe! The new cover looks stunning! Could you tell us more about Firebreak and how the story came to you?

One of the hardest choices an author can make is where to start and end their story – after all, the universe and characters never “end” in our own minds! It’s been quite a few years since your last book in the Firebird universe. How did you decide it was “right” to return?

Kathy: Caylah, thank you for the opportunity to talk about writing Firebird’s story again. If you don’t mind, I’d like to combine my answers to your first two questions.

In 2022, I thought I would never be able to write again. Long COVID had done bizarre things to my brain. Sometimes, I could barely wake up for two or three days, and then I’d have insomnia for most of a week. The worst of it was the sensation that something seemed to be creepy-crawling inside my skull. I barely had the energy to get through a day and cook dinner. Some people thought I was doing pretty well, but I had no energy left to write, which made me feel sad and old.

Still, every second Monday evening, I got together with some new writers from my church and helped them learn the craft. I tried to resurrect an old project of mine, Holy Ground, a rural fantasy novel. I’d written it in third person limited POV, and my writing friends encouraged me to try rewriting it in first person. Week after week, I simply had nothing to bring to the writers group. The passion just wasn’t there. I couldn’t persevere through the long, long process of writing a full first draft, even though the novel was substantially written already.

Finally, Broose–another founding member of that group, and a former Disney animator–challenged me to simply write something that brought me joy and fed my spirit. I had thoroughly enjoyed writing the Firebird series. They filled up something inside of me that had gone empty and dry during COVID. So, out of a sense of grateful nostalgia, I re-read all five of them. I found myself wondering what Firebird and Brennen were doing between Crown of Fire and Wind and Shadow. (Books 3 and 4) The next thing I knew, a new story was pouring out of me. The post-COVID lethargy was gone. Kathy Tyers was alive again.

Caylah: That is wonderful advice – returning to joy when our muse decides to hide under a rock. What did you enjoy most about this story and what are you excited for readers to experience (no spoilers of course!)? I’m personally excited to see more about Netaia’s culture and how it transforms over the years.

Kathy:  The characters! I’ve known Lady Firebird for most of my life. Over the years, she has matured into someone who feels very real to me. So does Brennen. Letting them find each other and embark on their adventures together satisfied a hunger in my soul. In our fallen world, we long for a happy ending–but doesn’t a happy ending usually lead to the next challenge?

Caylah: Indeed! Firebird came so alive to me, so I’m excited to see more of her story.

How does your relationship with God influence your writing process and story planning? e.g. perhaps you have a prayer you like to pray as you sit down to write. 

Kathy: I try to get to work immediately after my quiet time each morning. One of my favorite C.S. Lewis quotes says, in effect, that who/what you are will come out in your writing whether or not you try to put it there. So I work hard on telling a good story and, occasionally, on bringing forward the faith elements. Lightly but genuinely! The exception to “lightly” was Wind and Shadow, which was written as a Master’s degree project for Regent College, a wonderful theological school in Vancouver, BC. One of the main characters was a priest in training, you see….

Caylah: Amen! Out of the overflow of the heart, the mouth speaks. I remember you published a different edition of Firebird before your deal with Enclave. How did you choose to release a version with enhanced religious themes (is that the biggest difference)? Have you received criticism from fans of your general market (Star Wars) work?

Kathy: My editor Steve Laube had been a fan of my writing before I moved over from Bantam Books to Bethany House publishing, where he worked at the time. During our first conversation, he told me he had suspected for some time that I was a Christian because he’d found hints here and there in my writing (see C.S. Lewis quote above!). Yes, people have left reviews online warning other readers that my books from a Christian publisher have Christian themes. Surprise!

Caylah: Personally, I found the themes of shame, faith, and new life incredibly challenging and encouraging – they make the story have eternal significance. Are there any readers who’ve approached you over the years to share how the Christian message impacted them? All authors want to think that their stories have the power to transform at least one life! 

Kathy: One of the most moving experiences in my life was attending the baptism of a young woman who said she’d decided to become a Christian after reading the Firebird books.

Caylah: Wow, that’s incredible – praise God!

Read my review of Firebird book 1 here.

Caylah: I love how much you weave music into the chapter titles and into Firebird’s thought processes! In my opinion, that’s one of the elements that takes a character from “good” to “great” – their hobbies and passions actually transform how they view and interact with the world. I actually use your trilogy as an example when I offer this advance to new writers! Are there any other tips for character development that you’d share with budding writers?

Kathy: My characters usually reveal themselves to me slowly. I need to spend time with them, thinking through what they find beautiful, meaningful,or challenging. Often, it’s through the process of writing a first draft that I learn what drives them. I enjoy involving some of my characters in music or other arts because that’s been a big part of my background since childhood. I grew up in a musical family. I might ask a hopeful writer, “What do you enjoy, what do you know something about, besides your fiction? Can you layer that into your story in some way that enriches the plot?”

Now and then, though, inspiration hits in an instant. For example, I first glimpsed one of my favorite characters, Tel Tellai, when he was standing at the foot of a breakaway strip while a space-and-atmosphere fighter took off. He was just standing there in shock and protest, holding both of his arms stiffly down at his sides. “Who in the world is that?” I wondered. Calmly, he told me his name (honestly, that’s how it felt) and that he loved Phoena Angelo. I was shocked. “You love HER?? What???? How could ANYONE….” 

Caylah: Moments of “conception” like that make storytelling feel like such a superpower! Since we’re quoting C.S. Lewis, your description reminds me of how his main character in Till We Have Faces says, “I was with book, as a woman is with child.”

The interrogation scene between Brennen and Firebird is one of the most tensely compelling scenes I’ve ever read – the chemistry! I remember the first time I read it, how Brennen’s act of clicking his heels together and shifting forward to begin accessing Firebird’s mind was such a tangible moment that made me physically feel the tension in the room. Then I reread your annotated version and realized you did this deliberately (as good authors do, haha)! You articulated so clearly how physical actions can punctuate energy and emotion and create turning points within a scene without the characters using any words. Are you able to expand upon that idea, maybe going into when this tactic works and when it might not, for some writers?

Kathy: Thanks, Caylah. I love that scene too. I wrote at length about tagging dialogue with action beats in my book for the Christian Writers Institute, Writing Deep Viewpoint: Invite your Readers Into the Story. It isn’t always easy to find the right action beat. I hear my characters speak to each other long before I can see their body language or their surroundings. Every writer’s process is just a bit different.

Caylah: That sounds like a great resource – thank you! It’s encouraging to know that even elements which might not come as naturally or quickly to writers can still become a great strength.

There’s a lot of disagreement about what makes a “strong female character.” Some people have complained that Firebird too quickly gets “shunted into the role of wife and mother,” but I think you did a wonderful job of showing a variety of feminine strengths in Firebird. Being a lethal fighter pilot isn’t the only way to kick butt, which she still does throughout the rest of the trilogy! How would you describe your approach to writing female characters and do you think Christians “should” write women differently than we see in mainstream media?

Kathy: I’m especially glad you asked about this. “The role of wife and mother” is not the end of any story. In and of itself, it’s a high calling for many. For others, it’s a vital step into their unique future. When I brought Firebird and Brennen together, I knew that they both had strong reasons for wanting to create a family.

Still, they obviously weren’t the kind of people to live quietly-ever-after. How, then, would they balance parenting with the other calls on their lives? It’s been a challenge for me, just as it’s been a challenge for them. But they’re doing it! Just wait till you read how they get there in Firebreak. 

Caylah: I can’t wait to see the kind of trouble Kiel and Kinnor got into as kids!

Ok, now for my “fan girl” moment. When Brennen first feels Firebird’s mental shout he expects to find brotherhood. Though it didn’t turn out that way, I’ve been fascinated by what that dynamic would look like in their culture. I would LOVE to see a short story about a Sentinel “blood brother” pair!!! Do they have any famous “Gilgamesh-Enkidu” pairs or stories about sisterhood (which is rarer to find in fiction, sadly)?

Can individuals have more than one pair bond? For instance, would a pair bonded husband also be able to pair bond with a brother in arms? Would his bonded wife feel his brother through their connection at all? I then had fun imagining what would have happened if one of the Shuhr assassins had discovered they were connatural with one of the men in the Caldwell bloodline. What do you think would have happened – would they have stayed their hand as Brennen did with Firebird? 

Kathy: You may have given me a great subplot idea. Thank you. 

Caylah: Ooh, yes! Is there anything else you’d like to share about your story, process, or world?

Kathy: Thank you again for the chance to share a bit about Firebreak, my favorite characters, and my writing process. It was a treat to meet you at Realm Makers, and I hope to see you there again in 2026, when Firebreak is finally available!

Caylah: Thanks! It was lovely meeting you too. And congrats on the birth of your grandson!

Kathy: Thank you!

Follow Kathy Tyers on Facebook for more news and discussions, and find the first book in her Firebird trilogy here. Firebreak, releasing March 10, 2026, is now available for preorder on Amazon or through Enclave Publishing’s website (20% off there).

Amazon links are affiliate links – I may earn from qualifying purchases.


Hi, I’m Caylah Coffeen, a freelance editor and marketer of sci-fi and fantasy books. I love reading and writing and am a follower of Jesus Christ.

I’ve worked for Monster Ivy Publishing and Eschler Editing, and am currently a weekly editor with Havok Publishing. Reach out to chat about books and publishing!

Thanks for stopping by my website! I hope you’ve found some helpful resources about reading, writing, and publishing. If you liked this article, here’s some more free content…