How to Set up an Author Table for Maximum Book Sales

Guest Post by Dylan West

There are many benefits to selling books at in-person, local events, including finding repeat customers, gaining reviews, and selling more books in one day than you can sell in a whole month online! I’ve outlined some more benefits in a previous article: 8 Reasons Authors Should Sell Books at In-Person Events.

But here, I’ll share what I’ve learned from years of successfully selling books at markets, library fairs, and more. Knowing what to do, and just as importantly, what not to do, will ensure you actually make a profit. I’ll explain some vital tips like:

  1. How to select good events
  2. Simple tactics to sell books – inoffensively
  3. How to set up your table for maximum engagement
  4. What to bring
  5. Insider tips

How to Select good events

Ask other vendors or the even organizer what you can expect at their event. They won’t be offended and can give you an idea of the type of crowd to expect, and whether the event is worth your time.

High Traffic Events

The most important element to look for is high shopping traffic. If 10 people come to your event and you historically sell to 10% of the people you speak with, you might sell only 1 book at this event. If 500 people come to your event and you manage to speak to 100 of them, you might sell 10 books.

It’s most likely that the traffic will be high if you:

  1. Table up on a Saturday.
    Saturdays are the very best day for sales events, hands down. Friday evenings are the next best. Sundays are a gamble. Sometimes a Sunday can give you decent traffic and other times the event is a complete ghost town.
  2. Pick an event in a big/medium size city
    that is close to major highways and civilization. If you table up on a farm in the middle of nowhere in a town having a name you’ve never heard of and has a population of < 5,000, you probably shouldn’t expect much traffic, and you probably shouldn’t table up there, unless you know from experience that this event really does draw crowds. And don’t assume that just because a podunk venue draws a moderate crowd on a Saturday, you can expect a decent crowd on Sunday. Sometimes the switch to Sunday kills shopping traffic.
  3. Sell at established markets
    with known traffic instead of inviting friends to your own private book signing event. If you invite 20 people to a signing and only 5% actually show up (which is about the average), you might get 1 person to show up! Many authors end up with NO attendees and get discouraged. Unless you’re a big name author, or you invited over a hundred people, don’t do this! Sell at markets that you know get at least 500 shoppers.
  4. Choose a market that happens every week.
    These are the safest events, because the event organizers typically do much more advertising of the event and the crowds are usually bigger. I make one local farmers market the backbone of my in-person sales—I go every Saturday from 9a to 2p. I do other events on Friday nights/Saturday nights/Sunday afternoons when I find them in addition to my regular Saturday morning market.

Low or no vendor fee

Let’s assume each book you sell nets you $5 of profit and your table fee was $100 for your event. If you sold only 10 books, that nets you $50. After you pay your fee, you just lost $50 to be at that event. On the other hand, if your fee was only $20, you earned $30. If you did a free public library event, you earned all $50.

Organizer doesn’t require vendor insurance

I’ve heard of events that require this, and in many cases that insurance can cost thousands of dollars each year! Avoid those events. Pick ones that only ask you to sign a form saying you accept risk for your own wares.

Close to home

If you have to drive a few hours to the event and a few hours home, you will burn away all your profits in gas expenses. And if you travel far enough, you’ll want to stay at a motel if it’s a multi-day event. If you pay $50 in gas and $100 in hotel fees, plus a $50 table fee for 2 days, that’s a total expense of $200.

How many books would you have to sell just to break even? Assuming from before that you net $5 profit on each book sale, that means you have to sell 40 books that weekend. If you think you can sell at least 20 books each day, you might cover your table fee. If you can’t, then you will lose money.

Simple tactics to sell books – inoffensively

Call out to passersby

If you only smile and wave, the vast majority of people will breeze right past your table. You’d think these people would proactively approach your table because they came to the event to shop, but they have to be drawn over to you.

Often they have dozens of tables to choose from. Even people who love the genre you sell will fail to recognize your books with their very obvious genre-hinted cover art and your large-lettered signage.

What should you call out? I use a variety of lines:

  1. “Free chocolate! Calorie-free books!” while pointing to my candy dish and books
  2. “Science fiction and fantasy!”
  3. “Buy a book and get a free spouse! Erm… I mean a free bookmark!”
  4. “I’ve got chocolate, I’ve got books, I’ve got chocolate books!”
  5. “Free chocolate and dad jokes!”
  6. “You have a sci-fi reader in your family?”

Be funny and relaxed. Many will stop and chat because you got their attention. If you keep it silly and lighthearted, people are less likely to be annoyed that you’re hawking them.

Put your book in their hands

If someone stops and asks what your book is about, don’t answer verbally. Instead, put your paperback in their hands with the back cover facing up and say that the book description says it best. This does several important things:

  • The book has now become real to them. They can feel the texture and weight of it.
  • By reading your back blurb, they’re getting a sampling of your writing style. If you’ve written it well, you can impress them with your writing skill and intrigue them about the book.
  • If the blurb gets their attention, they will often start flipping through the book. And if your formatting is top-notch, they will see how professional the product is and their confidence in you goes way up. If you have interesting chapter titles, they may notice those and be drawn in further. They might even start reading the first page!

Every second they spend examining your book invests them further in it. Now they’re spending time. Once they’ve done that, they are more likely to spend money on it. This has now become an event.

While people are reading your blurb, you get to watch their face and see their visceral reaction to it. If their brows rise and their faces glow, your blurb is doing its job. If you never get such a response from dozens of visitors to your table, you know it’s time to rework your blurb.

While people are reading your blurb, you’re also freed up to call out to other people.

If you explain your book’s plot to each person who asks, your voice will get tired quickly. Especially if you have to shout over loud street musicians.

How to Set Up Your Table for Maximum Engagement

Location is Paramount

It doesn’t take much at all to discourage shoppers from approaching your table. They will never tell you the reason. It’s up to us as vendors to figure out what that obstacle is, and remove it.

If removal is possible. You might have to ask the event organizer if you can shift your table over a few feet to avoid something like a tree stump or a narrow part of a hallway, or to move you to a completely different spot along a street.

If you get to choose your table location, think carefully about possible traffic flow. For example, if your vendor area is divided into 3 columns of tables with 2 aisles, pick a spot on the right-hand column. Especially if that aisle is wider than the other! I learned this lesson the hard way at one of my library events:

Remove psychological barriers

Here’s a list of some I’ve discovered:

Distance

Move your table as close to the flow of foot traffic as you can. If visitors are walking in the middle of a street and your popup canopy is 7 feet away, most people will let their momentum drag them right past. And if your table is near the back of your canopy, such that visitors have to enter the canopy and walk a few feet inside to see your book covers, that’s too far.

It presents a subtle psych barrier that discourages all but the most determined visitors. And if you only talk to the most determined visitors, you will not sell many books at your event. I promise you.

Objects

At one event, I moved my table to the front of my canopy, but due to space constraints, one corner of my table butted up against a canopy pole. And my books were sitting on that end of the table. Could visitors easily avoid the pole? Sure. Did visitors let that pole deter them from approaching? Absolutely. Once I moved my books to the other end of the table, more visitors stopped to check them out.

Flooring

At an outdoor event, the ground was muddy from recent rain and I didn’t want someone dropping my books in the mud. So I laid down puzzle piece rubber waffle boards in a 9ft square and set my table on that. It jutted out a good 4 feet from the front of my table and I remembered thinking people might hesitate to approach for fear of tracking their muddy shoes on my clean waffle boards.

Guess what? The very first couple stood a few feet back from those boards and squinted. I immediately removed that layer of flooring and people started coming up to the table.

Turnaround Point

This is the worst obstacle of all. At one event, my table was near the end of a long street. There was nothing exciting at the very end of the street to draw people to walk the whole length. And so, for the first hour, most shoppers would walk to what I called “the turnaround point”.

About 2 tables away from mine, there was this spot on the road where I saw hundreds of people stop, squint down the road, decide they were at the end, turned around, and walked back the way they came. This was the most discouraging experience I’d ever had as a vendor.

At least until the shaved ice truck came and parked at the very end of the road! And then a street musician started strumming a guitar across from that. Then I had shoppers lining up in front of my table for shaved ice on a very cold day. And only then did I sell books.

Smart event organizers are aware of the turnaround effect and will place attractions at the end of hallways and streets to mitigate it.

Wide lanes

Similar to the point about distance, you want to try to avoid placing your table in a section of a path or street that is wider than the other sections. Shoppers will naturally tend to walk at the farthest point in the path from vendor tables, so if you pick a very wide section, shoppers may be too far away to see or hear you, and may feel the distance to be socially acceptable to ignore you from.

If you are able to relocate your table or move other structures (such as a friend’s tent or table) into the path across from you to narrow it down, you may turn a zero sale night into a big night.

What to Bring

Interactive Materials to Make Your Table Memorable

I bring the video game version of my debut novel for visitors to play:

This big monitor and the gaggle of kids and their laughter draw lots of people over (not to mention the parents). But you might not be able to create your own video game.

There are other gimmicks you can try: set up a gumball machine that dispenses slips of paper containing neat one-liners from your books, and make one of them a coupon for a free book. Or dress up in a costume related to your protag or villain. Just make it visually obvious that something about your table is different.

People should be able to say, “his table is the one with the [blank]!”

Ample Lighting

For outdoor, evening events during fall and winter, bring plenty of lighting, including hand lamps that visitors can hold up to your book. Don’t count on general area lighting and lights you string along the top of your canopy to provide enough light for reading your book’s back cover. At some events, they’ll ask you not to bring a popup canopy because it would block the lighting they provide and take up too much floor/ground space.

two tables

Always bring a small table along with your normal, big one. Sometimes events will let you in without prior notice or give you really juicy spots if you let them know you can fit your stuff on a 4ft by 2ft table and don’t need to use your 10ft by 10ft canopy. Some events promise to provide a table and chair for you. I always bring my own just in case they run out or there’s something about their table and chair I really don’t like.

a card reader

I recommend Square. The small reader is free with your account and the thing is durable—it can survive a trip through the washing machine! And don’t sign up for your account right away. Instead, ask another author who already has Square (like me!) to send you a referral email.

Only sign up with that referral and both you and the referring person enjoys a free $1000 of processing fees waived for 6 months, starting from your first card swipe. Just find a dedicated place to keep your square reader (not your pocket) so you don’t lose it and you don’t send it through the wash. Also, you must keep your smartphone charged in order to use the swiper (if you get the free swiper model, that is).

Make sure to ask about WiFi availability ahead of time!

Insider Tips

Chat with other author vendors

Ask them what other events they’re going to next. Be friendly to them—they just might end up inviting you to awesome events you didn’t know anything about. And they might offer to split their table with you. That lets you pay half the fee and gets you into events for which the submission deadline is long past.

I’ve gone to events that I heard about the day before! In order to capitalize on these last-minute event invites, try to keep your weekends open (if you don’t already have events scheduled, that is).

Sell at the last minute

When breaking down your setup, put your books away last. I can’t remember how many times I’ve sold books to passersby while I was packing away other things. One time I sold books after I’d broken down my entire setup because my backpack has a full sales kit in it, and I pulled books and a card swiper out from that.

At my farmer’s market on 10/12/2024, I sold 10 books after I started breaking down my table! All I did was look up for passersby, point to my books, and say, “I still have books out, if you’d like a look.”

Here’s what I’ve noticed: Many shoppers walking around after the official end of an event are happy when a vendor notices them and gives them something to shop for after all other vendors are closed. The last-minute nature can help nudge them to buy something. This is why I pack away my books last. I even bring down my tent and pack that away before I box up the books. I recommend you do the same.

The First Day of Events is the Most Important

If you sell at an event that lasts 2 or more days (of equal duration), and you can only show up on one of those days, pick day one.

Push for early sales on day one of multi-day events. Many shoppers may not feel any urgency to shop until later in that weekend. Always try to encourage them to buy sooner, because they may not return to you later like they promised! 

As the event wears on, you’ll start hearing shoppers say things like, “I’ve already spent all my money.” And what they really mean is, “I’ve already spent all my money on other vendors’ goods. You’re too late.” The younger the shopper, the truer this is.

My sales and marketing guide has WAY more content like this. Just email me at dylan.west@dylanwestauthor.com if you want me to share that google document with you for free!

Thanks and Book Appetit 🙂

About Dylan West

Dylan West writes faith-based, young adult science fiction and fantasy novels. He is a Jesus lover, web and video game developer, former Navy nuclear operator, foreign language nut, and a nut in general.

While other people are busy thinking normal thoughts, he’s crafting corny jokes. Dylan lives in Chesapeake, VA, with his wife and daughter.

You can play the related game that pairs with his first book, Scribes’ Descent, here: https://dylanwestauthor.com/demo.

8 Reasons Authors Should Sell Books at In-Person Events

Guest Post by Dylan West

For authors struggling to sell a single book on Amazon in a whole month: how would you like to sell 10 to 20 of them in a single day? When you table up at a local sales event, that’s not hard to do. That’s just one reason to vend at regular, local events. Here are some more:

1. Brand awareness

if you hang a big, clear, beautifully designed banner at your table, you let passersby know that your business exists. Because I table up at a decent-sized event each Saturday, over 50,000 people see my books and banner every year.

2. Fan building

When shoppers walk by or visit my table, people take actions like:

  • Check out my books and ask me questions
  • Buy my books or sign up for my newsletter (often both)
  • Buy the related merchandise. If they buy my t-shirt, they may wear it, providing free advertising
  • Give me donations (sometimes large ones)

In-person events are the best way to increase word of mouth and gain further opportunities. Some people will:

  • Tell other passersby to check out my books and rave about how good they are – this happens to me quite a bit, and it’s driven lots of sales 🙂
  • Tell friends about my books. Some may even buy my book as a gift or haul their friend over to my table
  • Invite me to some other sales event or speaking engagement. One person invited me to speak at a local college, which paid me a $100 speaking fee and bought 3 of my books to display at the front of their campus library!

Seeing you in person will make people remember:

  • To finish the book they bought from me last year
  • To buy more books because they loved the first one
  • To sign up for my newsletter or read the newsletter articles I’ve been sending them
  • That my books exist – that’s a huge thing. If someone buys a book from you a few years ago, it’s easy for them to forget about you if they didn’t sub to your newsletter

3. Sales Practice

Nothing makes you better at sales than getting hundreds of sales opportunities each month. Each shopper that stops is a live-fire practice session.

4. Steady cash flow

The money I make at my sales events funds my next book. I don’t have to pay anything out of pocket after my initial investment. I use sales earnings to pay for book cover art, ISBNs, formatting, software, copyright filings, business licenses, author copies, web hosting, domain names, paid ads, and a lot more I’m forgetting.

5. Newsletter building

The best way to gain new newsletter subscribers is to collect emails from people who just bought your book(s). They are more likely to open and read your emails than people who signed up for a free novella and then unsubbed right after.

6. Fun

I could go on for hours about all the wacky and funny things I’ve experienced at farmers markets and comic cons while vending. I get to meet neat people, pet cute doggies, crack lots of corny jokes, hear corny jokes in return, see really interesting performers, hear live music, and have the thrill of making big sales.

And I have fans hunting me down at events when they learn that my newest book just came out!

7. Identity

Nothing reminds you that you are, in fact, a published author like going to regular sales events. Many indies who published a book long ago have almost forgotten that they are a published author and that they should be selling their books.

Going to in-person events makes your authorship more real than if you lob an e-book onto Amazon and do nothing more.

8. Reviews

You will get more reviews for your books if you table up at sales events. Especially if you remember to ask shoppers to leave a review!

Now that I’ve persuaded you to table up at local events, let me share some tips for how to run them so you actually sell books – based on my years of experience!

Read Part 2: How to Set up an Author Table for Maximum Book Sales

About Dylan West

Dylan West writes faith-based, young adult science fiction and fantasy novels. He is a Jesus lover, web and video game developer, former Navy nuclear operator, foreign language nut, and a nut in general.

While other people are busy thinking normal thoughts, he’s crafting corny jokes. Dylan lives in Chesapeake, VA, with his wife and daughter.

Please sign up for his newsletter to get the geekiest science research tidbits that go into the making of his books: https://dylanwestauthor.com/.

May Our Stories Pass the Test of Fire

A Prayer by Rev. Rich Coffeen

Thank you Lord,

That you have given so many in our family a gift of creativity. We lay these gifts before you again. We know you will test all things on the last day. Some will be consumed, while others will be shown to be jewels. Some of what we create will survive in eternity. We ask that our creative labors, and our support of others labors, will have a meaningful impact for the kingdom of God. That is what we desire – to create something that you, our Creator, wants to preserve and keep. As we write, help us to ask ourselves honestly whether what we are crafting is something that will please you and have eternal value.

May it be so on that day, Lord Jesus Christ, the wisdom of God, the true Word.

1 Corinthians 3:10-15

“By the grace God has given me, I laid a foundation as a wise builder, and someone else is building on it. But each one should build with care. For no one can lay any foundation other than the one already laid, which is Jesus Christ. If anyone builds on this foundation using gold, silver, costly stones, wood, hay or straw, their work will be shown for what it is, because the Day will bring it to light. It will be revealed with fire, and the fire will test the quality of each person’s work. If what has been built survives, the builder will receive a reward. If it is burned up, the builder will suffer loss but yet will be saved—even though only as one escaping through the flames.”

About Rich Coffeen

Rich Coffeen is a PCA pastor in the North Chicago area, a classical educator, and former missionary to Japan. He is the author of Christian sci-fi books The Discipling of Mytra and City on a Sea. He and his wife share 7 beautiful children and 1 grandson!

The most important marketing concept for authors to understand – it’s not about you

These days, authors are forced to do more and more of their own marketing – an incredibly daunting prospect. Marketing is an entirely different industry, and most authors are going in completely blind!

Before you get into trial and error, testing different social platforms, ads, or other strategies, it’s vitally important to start with the right perspective, which will act as a cornerstone to solidify the foundation of your author business, if you will.

So I’ll help you get started by sharing the top 3 things you need to keep in mind at all times when marketing your book:

  1. What want or need does your book meet?
  2. Will your story make readers feel what they want to feel?
  3. It’s not about you and your book – it’s about your reader

What want or need does your book meet?

Our books are our babies. When sharing about them, authors often strive above all else to accurately convey the world and characters that they so dearly love.

But you can’t think of your book from your own perspective – you must view it from the eyes of a buyer.

Who, when showing off their first baby, describes their child to suit what the other person is likely thinking and feeling? No one.

It’s hard, but you need to think of your book as a product that can solve a want or need.

Imagine what a reader feels when they’re deciding whether or not to pick up a book. What goes through your own mind?

For example, “I’m feeling down and lonely, I want a pick me up. Maybe I’ll read a feel-good romance.” Or, “I’m bored and wish I could travel. I miss the beach.” Your job is to make their next thought be: “A pirate fantasy is just the excitement I need!”

When you create your book blurb, or marketing copy, or Instagram reel, it doesn’t matter as much that you convey how amazing your worldbuilding is, how unique your writing style is, or how cool your character will be.

Will your story make readers feel what they want to feel?

What’s most important is to ensure that readers understand what they will get out of reading your story – specifically what your book will make them feel and think.

If your book is a cerebral sci-fi think-piece, but the cover makes it look like a thrilling space opera, you’ll have disgruntled readers dropping it after a few chapters, and your ideal readers will skip past it without realizing that it’s just what they want.

The best marketing is VERY simple. What does your reader want? How does your book meet that want?

EVERY piece of marketing material should answer that unconscious question.

If a reader scrolls through your Instagram and Amazon listing and doesn’t remember your main character’s name, or the plot, but takes away an accurate impression like, “this book will be a dark, emotion wrecker,” then you have succeeded!

Because even if they don’t buy your book immediately, they’ll remember their impression the next time they want a killer, gritty story.

It’s not about you and your book – it’s about your reader

Approach all your marketing efforts from a would-be buyer’s perspective, and you’ll see a transformation in how readers interact with your book. Put yourself in their shoes.

Everything about marketing might sound overwhelming, but THIS one element is where you are at an advantage. You’re a storyteller – imagining the feelings and internal journey of other people is one of your greatest strengths! Leverage it!

Just remember, that when pitching your book, it’s NOT actually about you or your book. It’s about your reader.

You are the wise old mentor stepping alongside a lost young hero who needs a word of wisdom, an eye-opening experience, or a comforting touch. Your book is the tool you use to help a reader reach THEIR goal.

If you can make a would-be reader feel seen and heard, whether you’re chatting with them at a book fair, or sharing a meme on your socials, they will start to trust that your book will also be able to impact them in the way that they want and need.

When selling your book, tell the reader’s story, and how your book will make it better.


Hi, I’m Caylah Coffeen, a freelance editor and marketer of sci-fi and fantasy books. I love reading and writing and am a follower of Jesus Christ.

I’ve learned how to effectively market books by working for Monster Ivy Publishing, Eschler Editing, and two marketing agencies – Perk Brands and Aloha Life Digital. Reach out to chat about books and publishing!

Thanks for stopping by my website! I hope you’ve found some helpful resources about reading, writing, and publishing. If you liked this article, here’s some more free content…

22 High/Epic Adult Fantasy Books with 1 POV & a Male Protagonist

Books with a massive set of multiple POVs drive me crazy. I prefer stories with a tighter focus that invite readers to enjoy (and work to unravel) some mysteries about the larger world. Sometimes less is more.

But these days, multi-POV fantasy books seem to be the norm, especially in adult fantasy. It’s so hard to find books that feature only one point-of-view character, but I’ve done some legwork for you!

Note: this list focuses on male protagonists and dark, mythic, political, and military fantasy, rather than romance, satire, or coming-of-age.

I’ve read about half of these so far, and all others have at least a thousand 4+ star reviews. Most of these authors have a larger body of work which also feature a similar style.

  1. Classic and pre-2000s fantasy with 1 POV
  2. Modern fantasy books with 1 POV
  3. Fantasy books with predominantly 1 POV – but with brief cutaways

This article contains affiliate links – I may earn a small amount on qualifying purchases at no extra cost to you.

Classic and Pre-2000’s Fantasy with 1 POV

1. Nine Princes in Amber by Roger Zelazny

Ok, technically this is science fantasy, but it FEELS so epic, and most of the story takes place in a medieval setting. The main character is a centuries-old mage poet and swordsmaster who stepped out of literal golden age Avalon! One of my absolute favorites!

Corwin is a prince of Amber, the “immortal city from which every other city has taken its shape.” All other worlds, including Earth, are shadows of that reality. Corwin has spent centuries on Earth with no memory of his birth.

But when someone in the family tries to kill him, Corwin begins a search for his past, discovering the universe itself will bend to his shaping. He is one of nine men who might rule Amber, if he can fight past the armies of his brother and nemesis Eric.

2. Assassin’s Apprentice (The Farseer Trilogy #1) by Robin Hobb

Young Fitz is the bastard son of Prince Chivalry, raised in the shadow of the royal court by his father’s gruff stableman. He is treated as an outcast by all the royalty except the devious King Shrewd, who has him secretly tutored in the arts of the assassin. For in Fitz’s blood runs the magic Skill.
 
As barbarous raiders ravage the coasts, Fitz grows to manhood and soon he will face his first dangerous, soul-shattering mission. And though some regard him as a threat to the throne, he may just be the key to the survival of the kingdom.

3. Elric of Melniboné (The Elric Saga #1) by Michael Moorcock

Elric is the brooding, albino emperor of the dying Kingdom of Melnibone. With Melnibone’s years of grandeur and decadence long since passed, Elric’s amoral cousin Yrkoon sets his eyes on the throne. Elric, realizing he is his country’s best hope, must face his nefarious cousin in an epic battle for the right to rule.

4. The Curse of Chalion by Lois McMaster Bujold

A man broken in body and spirit, Cazaril returns to the noble household he once served and is named secretary-tutor to the strong-willed princess. It is an assignment Cazaril dreads, for in the royal court of Cardegoss, the powerful enemies who once placed him in chains now occupy lofty positions.

Worse yet, a sinister curse hangs like a sword over the blighted House of Chalion. And only by employing the darkest, most forbidden of magics can Cazaril hope to protect his royal charge.

5. The Shadow of the Torturer (The Book of the New Sun #1) by Gene Wolfe

The writing style in this one is quite dense, and absolutely packed with complex vocabulary. The language is masterful, but it’s no light read. Keep a dictionary tab open!

The Shadow of the Torturer cover: a cloaked man in a strange mask holds a longsword, standing upon a curling pedestal throne that rises into a cloudy sky.

Severian is a torturer, born to the guild and with an exceptionally promising career ahead of him… until he falls in love with one of his victims, a beautiful young noblewoman. Severian helps her commit suicide and escape her fate. For a torturer, there is no more unforgivable act.

He is exiled from the guild with little more than Terminus Est, a fabled sword, to his name. Along the way, a strange gem falls into his possession, which only makes his enemies pursue him with ever-more determination…

6. The Legend of Nightfall by Mickey Zucker Reichert

This was published back in 1993, but the link will take you to an updated Kindle version that the publisher released in 2019, which is why it has apparently few reviews.

He has been known by countless names and deeds – thief, swordsman, assassin, adventurer. But chief among those personae is that of Nightfall, gifted with unique powers which any sorcerer would kill to possess.

Yet even the cleverest of beings must occasionally slip. When Nightfall falls prey to a royal trap, he is bound by sorcery and oath to guard a young prince on his quest. He will need every trick and talent to keep both himself and his idealistic charge from death at the hands of unknown betrayers.

Modern Fantasy Books with 1 POV

7. The Hands of the Emperor (Lays of the Hearthfire #1) by Victoria Goddard

Cliopher Mdang is the personal secretary of the Last god Emperor of Astandalas, the Lord Magus of Zunidh, the Sun-on-Earth.

He has spent more time with the Emperor of Astandalas than any other person. But he has never once touched his lord, nor called him by name. He has never initiated a conversation.

One day, Cliopher invites the Sun-on-Earth home to the Wide Seas for a holiday. The mere invitation could have seen Cliopher executed for blasphemy. The acceptance upends the world.

Read my 5-star review here!

8. The Name of the Wind by Patrick Rothfuss

The Name of the Wind cover: a cloaked figure faces a single tree in an overcast grassland, the world tinged a blue-grey.

My name is Kvothe.

I have stolen princesses back from sleeping barrow kings. I burned down the town of Trebon. I have spent the night with Felurian and left with both my sanity and my life. I was expelled from the University at a younger age than most people are allowed in. I tread paths by moonlight that others fear to speak of during day. I have talked to Gods, loved women, and written songs that make the minstrels weep.

You may have heard of me.

9. Traitor’s Blade (Greatcoats #1) by Sebastian de Castell

The Greatcoats are travelling magistrates bringing justice to all… or at least they were, before they watched the Dukes impale their King’s head on a spike. Now the land’s heroes are reviled as traitors, their Greatcoats in tatters.

Facio, Kest and Brasti have been reduced to working as mercenaries, but when they find their employer dead – and are forced to watch as the killer plants evidence framing them for the murder – they realize the royal conspiracy is spreading.

10. Sixteen Ways to Defend a Walled City by K.J. Parker

A siege is approaching, and the city has little time to prepare. The people have no food and no weapons, and the enemy has sworn to slaughter them all.

To save the city will take a miracle, but what it has is Orhan. A colonel of engineers, Orhan has far more experience with bridge-building than battles, is a cheat and a liar, and has a serious problem with authority. He is, in other words, perfect for the job.

11. Transformation (Rai Kirah #1) by Carol Berg

Note: this book is much better than its cover.

Seyonne is a man waiting to die. He has been a slave for sixteen years, almost half his life, and has lost everything of meaning to him: his dignity, the people and homeland he loves, and the Warden’s power he used to defend an unsuspecting world from the ravages of demons.  

But from the moment he is sold to the arrogant, careless Prince Aleksander, the heir to the Derzhi Empire, Seyonne’s desperately crafted apathy crumbles. When he discovers a demon lurking in the Derzhi court, he must find hope and strength in a most unlikely place…

12. Prince of Fools by Mark Lawrence

Prince Jalan Kendeth—drinker, gambler, seducer of women—has a secret. He can see the Red Queen’s, his grandmother’s, greatest weapon: The Silent Sister. But content with his role as a minor royal, Jal pretends that the hideous crone is not there.

After escaping a death trap set by the Silent Sister, Jal finds his fate magically intertwined with a fierce Norse warrior. But war with the undead is coming, and as the two undertake a journey to undo the spell, they realize they are but pieces in a game—and the Red Queen controls the board.

13. The Blacktongue Thief by Christopher Buehlman

Kinch Na Shannack owes the Takers Guild a small fortune for his education as a thief, which includes wall-scaling, lie-weaving, trap-making, plus a few small magics.

But today, Kinch has picked the wrong mark. Galva is a knight, a survivor of the brutal goblin wars, and handmaiden of the goddess of death.

Unsuccessful in his robbery and lucky to escape with his life, Kinch now finds himself braving krakens and giants with Galva in an epic journey to find her missing queen.

14. Among Thieves by Hulick Douglas

Drothe is a Nose, an informant who finds and takes care of trouble inside his criminal organization. On his latest assignment, Drothe unearths that someone is trying to stir up trouble between lower-level criminal organizations, including Drothe’s.

Rumors stir of a book containing imperial glimmer (or magic), and two crime bosses known as the Gray Princes are on the hunt. Drothe discovers the book, gaining the power to bring down emperors, shatter the criminal underworld, and unlock forbidden magic – if he can survive long enough to use it.

Fantasy Books with Predominantly 1 POV – but with brief cutaways

These books are told almost entirely (95%) from 1 point of view, with only brief cutaways to secondary characters. Note that some of these, like The Night Angel Trilogy and the Codex Alera, start incorporating more perspectives later in the series.

15. The Way of Shadows (Night Angel Trilogy #1) by Brent Weeks

The Way of Shadows cover: a cloaked man takes up a fighting stance, a dagger in each fist. Shadows swirl around him.

For Durzo Blint, assassination is an art – and he is the city’s most accomplished artist.

For Azoth, survival is precarious. As a guild rat, he’s grown up in the slums, and learned to judge people quickly – and to take risks. Risks like apprenticing himself to Durzo Blint.

But to be accepted, Azoth must turn his back on his old life and embrace a new identity and name. As Kylar Stern, he must learn to navigate the assassins’ world of dangerous politics and strange magics – and cultivate a flair for death.

16. Blood Song by Anthony Ryan

Vaelin Al Sorna was only a child of ten when his father left him at the iron gate of the Sixth Order to be trained and hardened to the austere, celibate, and dangerous life of a warrior of the Faith.
 
Vaelin’s father was Battle Lord to King Janus, ruler of the Unified Realm—and Vaelin’s rage at being deprived of his birthright knows no bounds. Even his cherished memories of his mother are soon challenged by what he learns within the Order.
 
But Vaelin cannot escape a future that will alter not only the Realm but the world.

17. The Black Company by Glen Cook

Some feel the Lady, newly risen from centuries in thrall, stands between humankind and evil. Some feel she is evil itself. The hard-bitten men of the Black Company take their pay and do what they must, burying their doubts with their dead. 

Until the prophesy: The White Rose has been reborn, somewhere, to embody good once more. There must be a way for the Black Company to find her… 

18. Kings of the Wyld by Nicholas Eames

Kings of the Wyld cover: a group of rough looking armored men stand together holding shields and bloodied swords.

Clay Cooper and his band were once the best of the best, the most feared and renowned crew of mercenaries this side of the Heartwyld.

Their glory days long past, the mercs have grown apart and grown old, fat, drunk, or a combination of the three. Then an ex-bandmate turns up at Clay’s door with a plea for help – the kind of mission that only the very brave or the very stupid would sign up for.

It’s time to get the band back together.

19. The Rage of Dragons by Evan Winter

Among the Omehi, one in every two thousand women has the power to call down dragons. One in every hundred men is able to magically transform himself into a bigger, stronger, faster killing machine.

Everyone else is fodder, destined to fight and die in the 200 year war. Young, gift-less Tau plans to get himself injured, get out early, and settle down to marriage, children, and land.

But when those closest to him are murdered, his grief turns to vengeance. He’ll become the greatest swordsman to ever live for the chance to kill the three who betrayed him.

20. Furies of Calderon (Codex Alera #1) by Jim Butcher

For a thousand years, the people of Alera have united against the aggressive and threatening races that inhabit the world, using their unique bond with the furies—elementals of earth, air, fire, water, wood, and metal. But in the remote Calderon Valley, the boy Tavi struggles with his lack of furycrafting.

At fifteen, he has no wind fury to help him fly, no fire fury to light his lamps. Yet as the Alerans’ most savage enemy—the Marat horde—return to the Valley, Tavi’s courage and resourcefulness will be a power greater than any fury, one that could turn the tides of war…

21. Age of Assassins by R.J. Barker

Girton Club-foot has no family, a crippled leg, and is apprenticed to the best assassin in the land. He’s learning the art of taking lives, but his latest mission tasks him with a far more difficult challenge: to save a life.

Someone is trying to kill the heir to the throne, and it is up to Girton to uncover the traitor and prevent the prince’s murder.

In a castle thick with lies, Girton finds friends he never expected, and a conspiracy that could destroy an entire kingdom.

22. The Silverblood Promise (The Last Legacy #1) by James Logan

Lukan Gardova is a cardsharp, academy dropout, and—thanks to a duel that ended badly—the disgraced heir to an ancient noble house.

When Lukan discovers that his estranged father has been murdered, he finds fresh purpose. Deprived of his chance to make amends for his mistakes, he vows to unravel the mystery behind his father’s death.

His search for answers leads him to Saphrona, fabled city of merchant princes, where anything can be bought if one has the coin. But the price of truth is the deadliest of all.


Hi, I’m Caylah Coffeen, a freelance editor and marketer of sci-fi and fantasy books. I love reading and writing and am a follower of Jesus Christ.

I’ve worked for Monster Ivy Publishing and Eschler Editing, and am currently a weekly editor with Havok Publishing. Reach out to chat about books and publishing!

Thanks for stopping by my website! I hope you’ve found some helpful resources about reading, writing, and publishing. If you liked this article, here’s some more free content…

Pursuing True Diversity in Fantasy Books

Guest post by Izaic Yorks

Fantasy as a genre has long captured the imaginations of readers with its thrilling adventures and heroic narratives. But if you’ve spent any time in the trenches of Reddit, BookTok, or even Threads, you’ve likely come across a question echoing throughout the zeitgeist:

Does fantasy suffer from a lack of diversity?

That, however, is the wrong question.

At the heart of this conversation lies a more critical distinction. The real question we should be asking is:

What do we even mean by “diversity”?

Is it simply about including characters of various races and socioeconomic backgrounds? 

Or does true diversity dig deeper? 

This article explores that very question while offering insights into how diversity can (and should) transform the realm of fantasy. Along the way, you might come to love me, or you might come to hate me. But one thing you won’t accuse me of is being a vapid wanderer with nothing but clouds for thoughts.

What Does Diversity Mean in Fantasy?

When we think about diversity in fantasy, what’s the first thing that comes to mind? For many, in a culture increasingly unmoored from classical philosophical foundations, “diversity” is often reduced to outward traits: ethnicity, gender, or socioeconomic status.

And yes, those factors matter.

But they shouldn’t overshadow what truly makes stories vibrant and enduring: diversity of thought. Because a book, at its core, is a well assembled stream of consciousness. A meditation and confrontation with ideas.

Diversity in My Own Career

This subject is actually quite dear in my own author journey and not for the reasons you might suspect. Whenever diversity comes up, it’s often along the lines of: “Hey, Izaic, why don’t you mention you’re Black? That could really help spotlight you or bring money in the door.” Every time I hear that, it feels like an arrow to the heart.

Why? 

Because it screams the bigotry of low expectations. Ideas that stand the test of time are based on merit. To have mine judged by skin tone or assumed hardships might grant me a short‑term dopamine hit but, in the end, would leave me wondering: did I earn X or Y, or was that just the result of someone’s assumption about me?

So, over and over again, I have declined grants or invitations that hinge solely on my skin tone. At times it’s been hard and a challenge to the life of virtue. Undoubtedly I am leaving money on the table, but I have faith that I am more than the base materials of my physical body. What remains, and what is important, is the diversity of my mind and soul, which God made perfectly to His design.

Beyond Biometric Metrics

Reducing diversity to metrics like race, gender, or class oversimplifies a much richer and more vital conversation. Biometric diversity does not automatically guarantee depth or quality in storytelling.

True diversity emerges from exploring nuanced ideas, conflicting beliefs, and different cultural frameworks for understanding universal human experiences.

Imagine a world where fantasy novels challenge readers to see the world differently—to entertain new possibilities and reflect deeply on their own beliefs.

That is authentic diversity.

More Than Skin Deep

Reducing diversity to physical characteristics is a form of tokenism, where characters are included as symbolic gestures rather than meaningful contributors to the narrative.

Instead, let’s consider stories where ideas and beliefs are the defining elements of uniqueness.

For example, a Black author can skillfully craft a European medieval fantasy steeped in knights, castles, and folklore. Likewise, a White author can authentically write a story centered around urban Black youths navigating the challenges of Chicago through the lens of portal fantasy.

The richness of a story stems not from the biometric traits of its characters or creators, but from the depth and clarity of its ideas.

Biological factors ≠ Diversity.

They are merely a potential starting point from which diversity might emerge.

This is not to deny the importance of representation but to elevate the conversation.

Our ultimate goal as lovers of literature should be compelling storytelling that speaks to the human condition. As Dr. Martin Luther King Jr. famously said, what matters most is “the content of their character.”

For fantasy, this means content that challenges, inspires, and transports readers into the vast frontiers of imagination.

The Reader’s Role in Seeking True Diversity

Writers aren’t the only ones responsible for cultivating meaningful diversity. Readers play an equally crucial role in shaping demand for more thoughtful and expansive narratives.

When audiences seek out stories that offer fresh perspectives and complex characters, they help pave the way for a broader, richer literary landscape.

Supporting Authentic Storytelling

Here’s how readers can contribute:

  • Explore New Authors: Seek out voices from various cultural and social backgrounds. But celebrate them not for their skin or heritage—celebrate them for the merit of their thoughts and craft.
  • Foster Conversations: Discuss books with others. Unearth the deeper themes and perspectives within a story.
  • Prioritize Depth: Choose books that offer intricate world-building, moral complexity, and provocative ideas over ones that simply check superficial boxes.

By demanding authenticity and intellectual richness, readers uplift authors and help shape a publishing culture centered on excellence.

Raising the Next Generation of Readers

Creating a culture where diversity of thought thrives doesn’t happen overnight. It begins with nurturing a love for reading in young minds. Exposing children of all backgrounds to a range of high-quality, diverse literature helps expand their worldview and strengthens critical thinking.

How to Foster a Love for Diverse Literature:

  • Start Early: Introduce imaginative fantasy stories that stretch the mind and expose kids to different ideas.
  • Align with Values: Share stories that reflect your core values but don’t avoid those that challenge or stretch them.
  • Create a Rich Literary Environment: Fill homes or classrooms with books spanning genres, cultures, and philosophies.
  • Celebrate Curiosity: Encourage kids to ask hard questions about characters, themes, and conflicts.
  • Train for Excellence: Stop paying lip service to mediocrity. If you’re invested in the future of Black youth—or any youth—invest in their craft. Train them rigorously. Push them to be extraordinary.

A sustained effort to introduce children to rich, diverse storytelling shapes a generation that values both creativity and authenticity. Excellence is the only foundation that ensures diversity lasts beyond trends.

Building a Future of Excellence in Fantasy Literature

Fantasy offers endless room for exploration, creativity, and connection. But for the genre to thrive, it requires intentional effort from writers, readers, and publishers alike.

Christian authors, especially, have a unique opportunity to contribute by anchoring their work in faith and reflecting the boundless creativity of God’s design.

The future of fantasy doesn’t rest on superficial representation. It depends on cultivating excellence and allowing the diversity of ideas to compete in all aspects of storytelling.

And that journey begins now.

With you.

About Izaic Yorks

Yorks spent six years as a professional Track athlete, earning silver in the United States championships, among several other distinguishing awards. Now, he seeks his true passion for authoring fantasy works with a heart for virtues that chase the Good, True, and Beautiful.

​Hailing from the Pacific Northwest, Yorks is now happily lost in Hillsborough, living the small-town life and raising a growing family with his wife Courtney.

Check out his book!


Hi, I’m Caylah Coffeen, a freelance editor and marketer of sci-fi and fantasy books. I love reading and writing and am a follower of Jesus Christ.

I’ve worked for Monster Ivy Publishing and Eschler Editing, and am currently a weekly editor with Havok Publishing. Reach out to chat about books and publishing!

Thanks for stopping by my website! I hope you’ve found some helpful resources about reading, writing, and publishing. If you liked this article, here’s some more free content…

13 Diverse Authors Adding Their Unique Voices to Christian Fantasy and Sci-Fi

God’s world is beautifully and wonderfully made! And his kingdom is made up of people from all 4 corners of the earth – I love hearing the stories of all my brothers and sisters in Christ.

Sci-fi and fantasy is special because it opens new worlds to me and examines ideas I may never have encountered otherwise. So when these genres are written by unique voices who come from different walks of life than me, I often find even greater delight in the imaginations they have spun into being!

Christian SFF has grown dramatically as a genre in the past 2 decades alone, and we’re seeing a wider range of authors than ever before! So I’ve compiled this list of diverse Christian authors of sci-fi and fantasy to help readers find and enjoy their compelling stories!

This article contains affiliate links – I may earn a small commission on qualifying purchases at no extra cost to you.

1. Anna Tan

About

Anna Tan grew up in Malaysia, the country that is not Singapore. She writes fantasy stories and fairy tales, puts together anthologies, and wrangles writers for the Malaysian Writers Society (MYWriters).

Anna has an MA in Creative Writing and is interested in Malay/Nusantara and Chinese legends and folklore in exploring the intersections of language, culture, and faith.

Standout Book: Amok (Absolution #1)

All Putera Mikal wants is to gain the Amok Strength, the supernatural power granted by Kudus to the Mahan royal family. No matter how religiously Mikal keeps his vows, Kudus still denies him the Strength—whilst his father, Sultan Simson, flaunts the Strength despite his blatant defiance of the Temple and the priests’ visions of coming doom.

Then the prophecies come true. Taken captive, Mikal must find a way to liberate his people and restore his throne in Maha—and the key to this is the Amok Strength. But what does it take to gain Kudus’ favour?

2. Tosca Lee

About

Tosca Lee is the award-winning, New York Times bestselling author of twelve novels, including a series with Ted Dekker. Her work has won multiple awards and has been translated into 17 languages and optioned for TV and film.

She serves on the Board of Directors of International Thriller Writers and as adjunct faculty for Drexel University’s MFA program. Tosca lives in Nebraska with her family, a drooling cat named Misty, and giant 160-lb. German Shepherd, Timber.

Standout Book: The Progeny

Emily Jacobs is the descendant of a serial killer. Now, she’s become the hunted.

Her quest takes her to the secret underground of Europe and the inner circles of three ancient orders—one determined to kill her, one devoted to keeping her alive, and one she must ultimately save.

Filled with adrenaline, romance, and reversals, The Progeny is the present-day saga of a 400-year-old war between the uncanny descendants of “Blood Countess” Elizabeth Bathory, the most prolific female serial killer of all time, and a secret society dedicated to erasing every one of her descendants.

3. Jon Del Arroz

About

Jon Del Arroz is a #1 Amazon Bestselling author and “the leading Hispanic voice in science fiction.” He is a popular YouTuber with hilarious livestreams.

He says on his X (Twitter), “I became a #1 bestselling author by standing for Christian values.” In his free time he likes roleplaying, reading comics, and playing tennis.

Standout Book: Justified (The Saga of the Nano Templar)

To save a world… he must rely on God.

After years of fighting for justice with his deadly nanotech, Templar Drin abandons his post, crash landing on a desert world controlled by a tyrannical alien empire. Its inhabitants are forced into slavery, broken where a once-proud race cultivated its lands.

For the first time in Drin’s life, he has no backup, no support, none of his brothers. Yet he still seeks to liberate millions of slaves from their captors and bring faith to a downtrodden world. But in his way stands the most dangerous weapon in the galaxy.

4. Valicity Elaine

About

Valicity Elaine is the author of several Christian YA dark fantasy novels and a former Booktuber. In 2015, after her experience with indie publishing, she founded The Rebel Christian Publishing.

Their goal is to produce and publish good quality Christian books with a strong focus on the inclusion and representation of minority cultures. They aim to keep Christ at the center of their business and to positively reflect the Christian faith in the books they produce.

Standout Book: I am Man

Code-X5 is a Guardian, fresh from the factory after a memory wipe. But there is a flaw in X5’s programming. He can’t pinpoint it, but something is wrong. Despite this, X5 just wants a fresh start, but that’s hard when your client is an exiled princess who wants you to bust her out of prison.

He thinks it will be a simple mission until they discover a scheme that could unravel the very fabric of the Valetian Empire.

Is it possible that X5’s programming is more than flawed… and that he wasn’t always a Guardian – what if he isn’t the only one?

5. Dylan West

About

Dylan West writes faith-based, young adult science fiction and fantasy novels. He is a Jesus lover, web and video game developer, former Navy nuclear operator, foreign language nut, and a nut in general.

While other people are busy thinking normal thoughts, he’s crafting corny jokes. Dylan lives in Chesapeake, VA, with his wife and daughter.

Standout Book: Scribe’s Descent

People worship technology on Planet Daishon. With inventions that prolong life and eradicate disease, it’s little wonder. Death seems obsolete until an earthquake kills thousands, including Mallory’s parents. Suspecting the top research center triggered it, she begins to investigate.

She unlocks an underground world and the remnants of a universal war. To survive, Mallory must trust the voice of one she can’t see, to find the very bottom. Something out of folklore is trapped there, and it is trying to escape.

6. Willamette Sutta

About

Willamette’s earliest memories of books coincided with those of America, when she first came here from Hong Kong at the age of seven. Awed by the abundance of free books, she determined to learn English so that she could partake of this bounty.

At first she wanted to be a detective, but after studying physics and library sciences, she became an academic librarian. Now she combines her love of information and speculation to create fantastic stories that nevertheless give an air of a world truer than the one we see.

Standout Book: Adamant in Dust

Pergi can only retain her father’s throne if she marries the neighboring prince, combining their kingdoms. Yet the same prophecy that calls for the reunification also warns that they must join by love. So she is supplanted by her younger sister, Sadira, who unexpectedly runs on her wedding day, only to be snared by the dark lord Malchor.

What starts as an impromptu rescue of the wayward bride leads to a desperate struggle against a deadly foe. For if Malchor completes his true goal, and gains the Far Stones of power, he will subjugate all the peoples of Miran. Can Pergi’s adamant sense of duty rise above the forces crushing her?

7. Lee James

About

Lee James writes stories of hope and redemption. Whether it’s fantasy, mystery or historical fiction, her beautifully awkward characters traverse a dark labyrinth on their journey to a hopeful end.

She is vehement about the importance of creating and preserving the sanctity of the written word. In that vein, she supports literacy programs and her local libraries. Most importantly, she supports her fellow writers. She also enjoys photography, watching The Simpsons, and of course, reading.

Standout Book: Azriel

Bree, a feisty protegee fighter, is sent to infiltrate the city of Azriel. Unexpectedly, the Watchmen of the Keep welcome her as one of their own.

But the city’s water source has dried up, they face constant attacks from the vengeful spirits of former Watchmen who sold their souls for power, and an immortal creature lurks.

Then, a Watchman is murdered. But only a Watchman can kill another Watchman, so all eyes shift to Bree. Should she betray the dying city, or find the killer before it’s too late?

8. Daniel Tuituku

About

Daniel Tuituku is from Hawaii, but grew up in North Carolina, which is still his home. He’s a Christian and homeschooled alum, and his favorite works include Pilgrim’s Progress and the writings of C.S. Lewis.

When he got laid off from a job back in 2021, he jumped on the opportunity to write and publish his first book, Strange City. Daniel writes about real world themes and problems, but ensures the message of salvation and hope shines through the darkness of this fallen world.

Standout Book: Outlaw City

Noe Ryker grew up in the Gray Zone as an orphan whose parents were killed for their beliefs. Whether he’s being harassed by The Law, being ordered around by robots, or forced to bow down to the tyrannical King, Noe has been giving in for too long.

All of that changes when he meets Faith, a strangely powerful woman – or spirit – he thought he once knew. Driven by a sense of purpose for the first time, Noe sets out to take down the King and liberate the city. But can he speak boldly, act courageously, and hold on to what he knows is true, even as the shadows of doubt and fear grow all around him?

9. Izaic Yorks

About

Yorks spent six years as a professional Track athlete, earning silver in the United States championships, among several other distinguishing awards. Now, he seeks his true passion for authoring fantasy works with a heart for virtues that chase the Good, True, and Beautiful.

​Hailing from the Pacific Northwest, Yorks is now happily lost in Hillsborough, living the small-town life and raising a growing family with his wife Courtney.

Standout Book: Aithos

Magnate Rivia watches his land crumble, and the High King refuses to answer his pleas. He sends a skyship on a desperate mission—commanded by an invalid whose body is shattered but whose will remains unbroken.

The invalid’s destination? The lost promised land that drove Magnate Rivia’s father to madness. Their path? The storm-ridden skies of Aithos, where dragons once soared, secrets lie buried, and death waits in the clouds.

Failure means rebellion. Success could mean salvation, but at what price?

10. R.J. Amezcua

About

R. J. Amezcua is the creative director of Quentorex Studios and the author of a science fiction book trilogy and an illustrated children’s book.

Mr. Amezcua’s favorite TV shows – Lost in Space, Outer Limits, and Star Trek – sparked his imagination. He also enjoys watching the Food Network, walking in the morning, and gathering with friends and family.

Standout Book: retribution (Mantis Force: Marium Kahnet #1)

Decades after global infanticide wiped out millions on the planet Ramah, Jazrene Vallo tries to piece her Holy Order back together.

But those responsible – the merciless, sorcerer-led Necrogog legions – still threaten multitudes of star systems, following their objective: to kill the promised Mantis messiah, whose birth mother is a member of the Holy Order, Marium Kahnet.

A group of rogue sisters is out for revenge. And her past isn’t clean either, with her own government seeking to prosecute her for war crimes. Even with a group of elite mercenaries and the instructions of a divine messenger, Jazrene may not be able to stop another wave of destruction.

11. A. Bean

About

A. Bean is a Christian author who writes fictional stories that reflect the body of Christ and the Bible. She writes in multiple genres, including end times fiction, historical fantasy, and more.

Her treasured dog, Sesame, is a small tricolor beagle that loves peas! On their days off, they like to travel, visit new restaurants, and find exciting dog treat recipes.

Standout Book: The Scribe

In a world where reading is a rare ability you must be born with, it’s been decades since a new Scribe has surfaced…

Amana Hart believes she was born with the Gift; the ability to innately understand and speak multiple languages – but she must keep this a secret. Only men of great wealth and stature are supposed to have this ability, so to pursue her dream of becoming a Scribe, she must take on a new identity.

Only God can keep Amana safe. The Scribal Institution will stop at nothing to silence liars and fakes. If she isn’t careful, she could end up burned at the stake.

12. S.E.M. Ishida

About

S. E. M. Ishida is a children’s book author who writes science fiction and fantasy. She is also a technical communicator. The two roles allow her to write for both small publishers as well as a large technology company.

Her hobbies include reading, drawing, and collecting toys. She likes robots and tea!

Standout Book: Nick Newton is Not a Genius

Nick Newton is not a Genius. He’s just a merely average boy from the country of Thauma. He may not be brilliant like his mom and dad or a child prodigy like his sister, but he won’t let that stop him from uncovering the mysteries of a clockwork factory or revealing a war hero’s greatest secret.

With help from two new friends and his butler named Jude, Nick embarks on an adventure that will change his life forever.

13. Jaymi Mozeak

About

Jaymi Mozeak was born in 1982 in Nuernberg, Germany. Soon after, her family moved back to the states where she grew up on the central coast of California.

Besides being an author, artist, and speaker, Jaymi Mozeak is also a Christian Seer. She became a Christian at age 7 and has walked with the Lord ever since. Now she draws inspiration for her stories and artwork from the dreams and visions she receives.

Standout Book: Demon Warrior

“I drank the blood of an angel… How can You want me?”

Follow Silver Fox, a brave young wolf-dog, in her quest to find a place for herself among the glories of heaven. She looks like a demon and is hampered, abused, and mistrusted because of it. She feels like no one will ever trust her or want her around.

No one will love her except Shepherd, the white lion. He alone invites her to join his army. What does he see in her that no one else has?

Help Me Expand This List!

Do you know of any other authors whose works would fit this list? Comment below or shoot me an email, and I’ll feature them here!


Hi, I’m Caylah Coffeen, a freelance editor and marketer of sci-fi and fantasy books. I love reading and writing and am a follower of Jesus Christ.

I’ve worked for Monster Ivy Publishing and Eschler Editing, and am currently a weekly editor with Havok Publishing. Reach out to chat about books and publishing!

Thanks for stopping by my website! I hope you’ve found some helpful resources about reading, writing, and publishing. If you liked this article, here’s some more free content…

“Toxic Femininity” – Where “Strong Female Characters” Went Wrong

By Caylah Coffeen

I recently picked up an epic fantasy book I had greatly anticipated reading – it promised unusual worldbuilding, an intricate plot, and a unique authorial voice. I didn’t make it through the first chapter.

In the opening, the main female character gets drunk, breaks into someone’s home to commit adultery, assaults the homeowner when he tries to stop her, and gets thrown in jail. When she wakes up, she bangs on the bars and yells at the guards to let her out, as though she’d done nothing wrong. A stranger, who greatly outranks her, bails her out and gets her acquitted because he wants to hire her. She struts out like she owns the place, doesn’t offer this man a single thank you, and instead mouths off at him, becoming offended that he expects her to work off her debt to him!

That’s when I stopped reading. I was astounded we were supposed to find this character likeable. Or even admire her defiant attitude and the gargantuan chip on her shoulder.

Unfortunately, this is the exact type of character readers can expect to see over and over again, advertised as a “strong female lead.”

I would use another word: cocksure. I’m sorry if you find that crass, but that’s the point – that’s exactly what these characters are.

The Double Standard

How is it that the word I’ve found to best describe these “strong female characters” has largely been used in the past to describe men being jerks? It’s pretty much the old word for “toxic masculinity!” If a male character acted the way these female characters do, that’s exactly what they’d be called! No, if they acted half so horribly, they would never have made it past a publisher’s slush pile. Instead, we would have seen acquisitions editors tweeting about how triggered they felt.

I’m glad that publishing has enacted a higher standard for male characters! So many male “heroes” in books do treat everyone around them terribly, break their word, kill and torture without remorse, look out only for themselves, emotionally abuse their friends, abandon their families, and drink, swear, and fight with impunity. It continues to horrify me that stories like Prince of Thorns were ever published, and I’m relieved that publishers would reject such books today.

But I don’t want to read about hubristic, “antihero” women any more than I want to read about sociopathic, egotistical men. So why is this behavior seen as not just acceptable, but “cool” when enacted by women?

It shouldn’t be, for two reasons. But before I get into why, let’s define our terms.

“Toxic” or “Sinful?”

I’m a Christian, and I’m fine with using the phrase “toxic masculinity” because men are sinners, and like all sinners, glorify their sin as right. The world’s version of a “strong man” is extremely different from God’s version, and yes, it’s often toxic. Greed, rape (jokes), idolatry, and violence are all sins that God condemns. In the Bible, the “men after his own heart,” are faithful, humble, selfless, obedient to his law, self-controlled, and gracious. This is “righteous masculinity,” nothing like the “locker room boasters” which our culture has seen as cool (in the past). And praise God for the men who seek to be made anew in such a way!

When women call out “toxic masculinity,” I feel a lot of compassion for people who are often coming from non-Christian households. They’ve never met a godly man in their life, and they don’t have the words to explain why their relationships feel so wrong. So they use terms given to them by mental health professionals.

However, I know that many modern* feminists also use the phrase “toxic masculinity” to assert that the idea of gender differences and the existence of masculinity are in themselves toxic. I reject that claim and do not use the phrase in such a way.

*Early feminists were wonderfully brave women who championed equal rights under the law and were almost all Christians, so please be careful if you’re tempted to make blanket denigrating statements about feminists. I encourage you to read about the different “waves” of feminism to understand how/when things went wrong.

Our culture also praises the sins of women, glorifying selfish, petty, greedy, cruel speech and actions as “subversive, bold, driven, audacious, or strong.” We could refer to this as “toxic femininity,” and indeed if we are going to call out sinful masculinity, then we should be willing to do the same for sinful versions of femininity.

Though perhaps it’d be much better if we dropped this phrase entirely, in favor of biblical language. The Bible uses different words than “toxic”:

Righteous or wicked
Godly or ungodly
Integrity or crookedness
Alive in Christ or dead in sin
The wise or the fools

What does Proverbs tell us about what it looks like to live a righteous life?

The righteous hate what is false, but the wicked make themselves a stench and bring shame on themselves.
The heart of the righteous weighs its answers, but the mouth of the wicked gushes evil.
The righteous detest the dishonest; the wicked detest the upright.

Proverbs 13:5, 15:28, 29:27

I yearn to read about main characters who are considered heroes because they are righteous, not because they are wicked!

How dare publishers act as though they’ve made a stand for morality, only to turn around and espouse those same evils when committed by people like themselves! And these new heroes aren’t even well written.

Most “Strong Female Characters” Are Badly Written

It wasn’t just a shift in culture that led to a decline in the “toxically masculine” character. Publishers just started pointing out that such characters are often badly written and make for flat stories. Which is true.

Contemporary female leads, like many stereotypical male leads in older books (prophesied farm boy), are often 2-dimensional, cut-and-pasted copies of each other. Handing a girl a sword doesn’t give her a personality, though apparently it gives the author an excuse not to develop one. The most noticeable things about them, aside from their superior talent and skills, are their entitlement, aggression, arrogance, and air of martyrdom. When the story starts, they are the universe’s gift to humanity, and when the story ends, they are the universe’s greater gift to humanity.

Readers see very little character development, with the exception of “healing” from whatever injustice the world has perpetrated against the main character. There are no personal flaws they need to face and overcome. Everything is someone else’s fault. This makes for extremely boring storytelling. It breaks the cardinal rule of character development.

Everyone who’s taken an intro to creative writing course knows the joke about “the frat boy who signed up to get an easy humanities credit”: The guy writes a story about a perfectly handsome, intelligent, desirable young man who breezes through all his problems and gets the girl who wrongly rejected him before. The professor has to explain that a good (and realistic) story needs flawed protagonists (not the same as morally grey) and problems that they can’t immediately overcome. This creates tension in the plot and spurs development in the character. Usually, the new writer resists, because their character is actually a self-insert and they feel personally attacked at the implication that they have flaws.

These points are no less true for female writers and female characters. In fact, these days male writers are much more likely to accept feedback when you tell them their character needs work – I know, I’ve worked with quite a few developing male writers. But female writers are likely to get up in arms if anyone criticizes how unrealistic or entitled their female characters are. Because these authors are often living out their dreams of being able to get away with literal crime, say whatever they want to the men in their life, and be respected and taken seriously for it.

And, predictably, the characters and plot of these stories suffer for it. Yet publishers will ignore these obvious problems when they’re seen in female characters, because they too are fantasizing about walking around like god and being worshiped for it – as all sinful humans do.

Which brings me to the second reason why we should reject “toxic femininity” – the glorification of unrighteous women – in books.

Bad Ideology, Bad Examples

The version of femininity which is portrayed in so many of these stories is not something I want to embody. I don’t find these women strong. They are not good role models. Most of them are angry, bitter, self-absorbed individuals who hate authority, are isolated from healthy community and family, and listen to no one but themselves. They are unrighteous and thoroughly broken.

These characters embody everything that women have called out as wrong in male behavior. At least modern feminists have gotten more honest. Their actual message is, “men shouldn’t play god, but women are god.” I suppose these books sell because fallen people do relate to this desire. I don’t know why anyone is shocked – this is the oldest sin there is.

“You will be like God, knowing good and evil.”

Yours truthlessly,
Satan

That’s the message publishers are selling to girls: “you can be like god.” Girls down these books like cheap shots, craving temporary gratification in place of the answer that will truly quench their thirst. Such stories can never satisfy, because they run in direct opposition to the Great Story, which tells of a plain, humble, kind man doing what is right and vanquishing evil at great cost to himself, for the sake of others.

This doesn’t mean I only want to read stories about knights saving damsels in distress from dragons, though the trope is justifiably iconic (pun intended)! This is one major reason why I personally prefer reading about male mc’s.

But I do want Queens who save their kingdom from evil. Yes, give me heroines running around in capes and busting out martial arts moves. I need to read stories about female strategists, inventors, explorers, and more. AND I want to read stories about mothers, sisters, shy girls, bookworms, wives, and any other profession out there.

SO LONG as all these women first and foremost embody integrity, kindness, faithfulness, humility, goodness, and other signs of godly character. So long as her flaws and mistakes are actually portrayed as problematic and she actively wrestles to overcome them!

We have beautiful examples to guide us!

Noah’s wife cared for her family through the ending of the world, Abigail defied her wicked husband, Ruth braved the wilderness and poverty for love, Esther faced the emperor of the known world head on, Mary encountered an eldritch creature with who knows how many eyeballs and sang for joy. Jael and the woman of Thebez smashed open the heads of villains with household implements!

The woman of Thebez wields her deadly millstone

These are strong women, brave women, faithful women – women after God’s own heart.

Don’t believe the world’s picture of femininity. It is toxic. It is the way that leads to death. I urge you not to write self-absorbed, 2D, arrogant female OR male characters, but to look at the truth of God’s word and write stories that would please him and better teach us how to hear his story.

P.S. If anyone wants to make a biblical argument in favor of the descriptor “toxic,” I’m all ears (Matt 16:6). After all, a little Axe body spray goes a long way. 😉


Hi, I’m Caylah Coffeen, a freelance editor and marketer of sci-fi and fantasy books. I love reading and writing and am a follower of Jesus Christ.

I’ve worked for Monster Ivy Publishing and Eschler Editing, and am currently a weekly editor with Havok Publishing. Reach out to chat about books and publishing!

Thanks for stopping by my website! I hope you’ve found some helpful resources about reading, writing, and publishing. If you liked this article, here’s some more free content…

Interview with Jeremiah Friedli – Debut Author of Christian Sci-Fi Novel CORE Deception

By Caylah Coffeen

CC: Thanks for joining me Jeremiah, and congrats on your debut novel! Tell us about it!

JF: Thanks, and I appreciate you inviting me to join today! Here’s what you’ll find in my novel CORE Deception:

A tyrannical government, a cryptic letter, a devious hacker…

In a world where the government’s CORE systems see and track everyone, seventeen-year-old hacker Seth Alvarez is determined to save his sister from being placed in a reeducation facility. Armed with a cryptic letter, Seth embarks on a search for the valuable incognito devices—cyber master keys that can set his sister free. But with only three weeks remaining, he finds himself wedged between two powerful forces who will stop at nothing to get the devices first.

CC: That sounds exciting! I love books about siblings (I have 6 myself!). And congrats on making it to the finalist stage in the debut category at the 2025 Realm Makers Awards! What do you love most about this story and what are you hoping readers will connect with?

JF: I love stories of espionage, undercover, and page-turning suspense. I also like some level of technology. A dystopian setting offers the perfect venue for teen characters to get into these activities. If you love clean YA read that keeps you turning pages, stories of underdogs standing up to dystopian governments, and plots filled with intrigue and suspense, CORE Deception is for you.

Take codes and ciphers for example. I’d read about them in true spy accounts and liked the idea of incorporating them into the CORE Series. As I learned more so I could write about them correctly, I really enjoyed codes and ciphers. In fact, they play key roles in CORE Deception and its prequel novella Association. I even created a Code and Cipher Guide to go along with my books.

Another reason I like CORE Deception is the primary thematic element, which grew out of 2020 when I faced fears I didn’t know I had. I’ve struggled with fear of acceptance, fear of failure, and fear of incompetence before—to name a few fears. But this was new to me. It was fear that dominated my thinking and tried to control my actions. (And really, doesn’t all fear do that?)

Something told me this wasn’t right—more like Someone. As a Christian, I shouldn’t fear like that, not if I believe the Bible. After all, our future is secure, no matter what happens to us physically. And as Christ-followers, we have more hope than anyone else.

So why was this fear so strong? Later I came across a quote by Max Lucado from his book Fearless. He put it really well: “Fear, at its center, is a perceived loss of control.”

That was me. It felt like I’d lost control of almost every aspect of normal life. Not that I had control in the first place. And that was the foundational deception of my fear. Experiencing this it was painful because it forced me to face a reality—I wasn’t trusting God like I thought I was, like I wanted to think I was. But as painful as that was, it was a gift, growing me as a Christian. And I soon incorporated it into CORE Deception.

CC: That’s such a powerful way to put it. I’ve certainly struggled with that. It’s easy to “trust” God when everything is going well. How else has your faith shaped this story? Could you share what “Christian sci-fi” means to you?

JF: Faith should shape everything Christ’s followers do and think. It’s easier said than done, but that’s what I try to do, including with my writing. This doesn’t mean there’s a Bible verse on every page, but it does mean my writing should reflect a Christian worldview and be done for Christ’s glory.

This reminds me of a pivotal point years ago. I’d been writing it since I was a kid, mainly for enjoyment but with the possibility of publishing eventually. I sensed a challenge from the Lord regarding my time used in writing. If I was going to spend time on it, I should use it for His glory and not just my personal enjoyment. Yes, I want to write engaging stories that whisk readers away into an amazing world of fiction, but I also sensed the call to use my stories to “lay up treasure in heaven” (Matthew 6:20). That includes reflecting biblical worldview and weaving in themes that inspire courageous living for God, regardless of the genre.

I like to think of Christian sci-fi—really any genre—as stories written from a biblical worldview. The Bible should always be the foundation and guide for creators and readers. As 2 Timothy 3:16-17 tells us, God’s word is sufficient for all areas of life.

CC: Amen! What did you most enjoy about writing your book? What was most challenging?

JF: I absolutely love the phase of writing when the spark of an idea grows into something bigger. It’s that phase when I’m exploring characters or a storyworld (or both!), ideas explode, and it seems anything is possible. It’s like receiving a fascinating new toy on Christmas Day—I’m just so excited to play with this new idea and see what it can do! With CORE Deception, it didn’t take long to realize I had enough for more than one novel.

But for all those loose ideas to form a cohesive story, I eventually had to put it into a framework (either before or after writing the first draft). The phase of structuring everything, making my setting consistent, and refining character arcs posed one of my greatest challenges. I’ve polished words before and cranked out many drafts over the years, but pushing a novel through developmental edits (making all the large pieces work) wasn’t something I’d done before and was harder than anticipated. But the story is so much better for it.

CC: Worldbuilding is definitely the fun part! Actually sitting down and writing takes so much discipline! How long have you been writing and how did God guide you into this career?

JF: One of my first stories was a one-of-a-kind picture book I wrote and illustrated myself as a kid. It was four pages long with a grand total of seven sentences (if you include “the end”), put together with construction paper, masking tape, and staples. [optional: insert picture below] The name was Twenty Door Bells. A real page-turner, huh? You can tell I was using cutting edge print-on-demand technology too. But you can see my imagination was already at work.

Mostly, I only wrote creatively when it was required for school. But somewhere along the way, I found I liked crafting stories. Sometimes it was because my siblings were writing stories. Later, it’s more likely that I ran out of stories to read, and so I decided to write my own. I enjoyed it so much I kind of became an overachiever with writing assignments.

For example…

Assignment: 5 pages of fanciful fiction

Completed Project: 39-page story of animals in a medieval kingdom, complete with intrigue and major battle scenes.

Assignment: Short story with dialogue (short, as in, only a few pages)

Completed Project: 35-page mystery with black-cloaked thugs and a pie fight, among other things.

Soon I was writing even when there wasn’t any assignment—short stories, poems, novellas, novels—and sharing them with my family and friends.

I got into westerns, action, mystery, humor, sci-fi, fanciful, fantasy, retellings, and even an interactive mystery-thriller. I did flash fiction, short stories, novelettes, novellas, short novels, novels. Having siblings who wrote helped a lot, offering camaraderie and some friendly competition. I have terrific memories cowriting with my brothers and sisters. Also, it was huge that my mom (and homeschool teacher) fostered creativity.

As time went on, I sensed God calling me to do more with my creative writing, as I mentioned above.

CC: Haha, I love your enthusiasm! And that your mom kept your first story! How would you describe your writing style and how has it evolved since those early stories? Do you have any advice for writers as they try to develop a unique style?

JF: I love stories with high suspense, action, and thriller pacing. I think a lot of teen guys would agree. When I read books in that genre, I’m able to detect a general style, especially for action and suspense scenes.

But when it comes to developing my own style, I’ve largely followed James Scott Bell’s advice on the subject. Keep in mind, both he and I write for the commercial fiction market, not literary or what your high school English teacher taught you. In Revision and Self-Editing for Publication, Bell says, “It’s best to allow voice and style to emerge naturally in the telling of your tale. Attend to the fundamentals of the craft, and voice and style will seem organic. That’s your goal.”

Put another way, don’t think too hard about style. As you write more and more, you’ll naturally develop one of your own. But if you concentrate too much on style, you risk awkward, unnatural prose that jars the reader.

CC: That’s a good point. Sometimes writers can over-plan, rather than letting things develop organically. What was your journey to publication like? Why did you pick the route you did and what kind of challenges did you face along the way?

JF: As mentioned, at some point I pivoted from writing for fun to writing intentionally, like for the purpose of publication. I dedicated myself to the craft of writing and eventually started looking for publishers and agents. But eventually, I didn’t sense any major publisher’s interest in my writing. While a small publishing house might have been, I felt like I’d be doing much of the same work as independently publishing—an idea I gradually liked more and more.

More significantly, as time went on I realized that I would really like to have a say in the final book product. I sensed that God wanted me to influence the story, the editing, the cover, the marketing, and so on. The catch is, I had to learn at least some about all those areas. For example, I knew I should outsource my cover design, but that still requires I understand the norms for covers in my sub-genre and can create a design brief for the designer.

Pragmatically, indie publishing works well in the book industry today. There’s definitely a learning curve if you’re going to do it well, but it’s easier than ever for an author to tackle areas like typesetting and selling directly from their website. And I’ve found I enjoyed the business and marketing parts of writing a lot more than I anticipated.

CC: That must be a relief! It’d be so hard to stick with it if you hated the business and marketing like a lot of authors do!
There has been discussion lately of how few young adult books feature male main characters (outside romance plots). Indeed, it seems like major publishers aren’t interested in these types of stories. Why do you think this is? Are you hoping to reach boys and young men in particular, and how do you hope your book can accomplish this?

JF: Yes, I write for teen guys. Perhaps because as a teen guy, I had a hard time finding books I enjoyed. Thankfully, I did find some, and that’s probably why I ended up writing YA! But more importantly, that’s the genre I sense God calling me to. I still have a lot to learn here, so I’m always eager for resources that help me do this.

It’s no secret to those in the book industry that guys don’t read/buy as many books as girls.

If you look at what the large publishers are producing, the same disparity seems to exist in the young adult genre. Not that there’s anything inherently wrong with that. My guess is they’re publishing what sells. To an extent, it’s a chicken or the egg situation—since not a lot of guys read, few new books get published for them, which leads to fewer guys reading and therefore publishers creating fewer books for that diminishing readership.

Some blame the gaming industry for drawing guys away from books, but my counter to that is “what is it about those games that connect with guys?” There are a number of independently published authors who have figured out how to produce stories guys love and are filling the void left by the larger publishers. Because plenty of young men do like to read, even if they’re not looking for reading material in the same places other people are.

This is a big topic, and this excellent discussion on the Christian Publishing Show is a good next stop.

CC: Thank you! That’s a valuable perspective. What’s next for you as an author?

JF: I’m well into the planning phase of CORE Deception‘s sequel. Readers can expect more suspense and espionage while exploring new facets of the CORE Series storyworld and digging deeper into characters like Seth, Krystin, and Jhalak. The next title and plot are a secret right now, though I’m feeding some insider snippets to those subscribed to my emails. Here’s a teaser for the sequel:

A relentless pursuer.
An unpredictable ally.
The opportunity of a lifetime.

Can seventeen-year-old hacker Seth Alvarez survive a daring undercover mission that could change the course of a nation…or destroy everything he’s even known and loved?

After a third novel in the CORE Series, I’m praying about what to write. Several ideas are pushing their way to the front of the line, and it’s too early to say which one will win out. It could be another sci-fi, a modern thriller, kingdom adventure—you get the idea.

CC: Thanks Jeremiah, I look forward to it! And best of luck in the next stage of judging at the 2025 Realm Makers competition!

JF: Thanks so much for allowing me to join the discussion today!

About Jeremiah Friedli

Author of the 2025 Realm Awards Finalist CORE Deception, Jeremiah Friedli is a homeschool graduate, lifelong writer, ice cream lover, and native Texan. He enjoys getting out in God’s creation, whether that’s hiking, camping, running, or just reading quietly on the porch. Otherwise, you might find him seated behind a large screen with one of his beloved spreadsheets or watching a movie with his family. Learn more and connect with him at jeremiahfriedli.com.

Try a Free Novella!

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Hi, I’m Caylah Coffeen, a freelance editor and marketer of sci-fi and fantasy books. I love reading and writing and am a follower of Jesus Christ.

I’ve worked for Monster Ivy Publishing and Eschler Editing, and am currently a weekly editor with Havok Publishing. Reach out to chat about books and publishing!

Thanks for stopping by my website! I hope you’ve found some helpful resources about reading, writing, and publishing. If you liked this article, here’s some more free content…

Why Christians Should Read Fantasy: Can You Imagine Things Unseen?

Guest Post By Willamette Sutta

Let’s face it. When we write our debut novel, we expect the world to be as excited about it as ourselves. At least our family and friends. Mine did make a big deal of my achievement. But when I told them it was a fantasy novel, their smiles became polite, baffled, or embarrassed. Not everyone, but enough to dampen my enthusiasm. True, peoples’ reading tastes vary, so it could just be the genre. But after conversations and consideration, I came to a disturbing conclusion. Few people in my circle of acquaintances read fiction. A common denominator among those acquaintances is that they are Christians. Could there be a correlation?

Christian fiction has gained more acceptance in the ecclesiastical fold in recent decades. Works from such authors as C. S. Lewis and Tolkien are even held in theological esteem. But most seem to be valued as clean entertainment, comfortable encouragement, or harmless escapes to restore mental health. All fine for the young, leisurely, and convalescent. But “serious” Christian growth happens from didactic doses of information, right?

Do we only glean the deepest insights from within the careful lines of logic, or can we also learn through the mysteries of the imagination? Is reason the only tutor of innovation, or must it co-create with abstraction? Consider science. It observes facts and imagines possibilities (hypotheses) which are tested to become theories (new facts). In the Christian life, we seek to grow in faith, which is “the substance of things hoped for, the evidence of things not seen” (Hebrews 11:1). Yet, belief in the unseen requires believers to step into the realm of the imagination. So, if imagination is critical to expand all types of  knowledge and faith, how can we cultivate it?

When we delve into a story and put ourselves in the shoes of fictional people, our minds summon images out of thin air. We experience events and desire outcomes that don’t exist. We are exercising our imagination. And we are learning another important life skill—empathy. Given these benefits, reading fiction should be an essential practice, especially for Christians. Yet the opposite seems to be true. Why would that be?

Why don’t More Christians read fiction?

Whether consciously or not, Christians may hold the mindset that theological textbooks or other expository writings alone can teach real spiritual insights. Perhaps there is some justification for such thinking, as many Christian novels contain little more than a sanctified dollop of sugar or shot of adrenaline. They may provide moments of distraction, but surely, we can offer more than euphoria that quickly evaporates. Following our Master Storyteller, who convicted scholars and laymen alike with life-changing parables, we too could weave profound truths into tales that lead to lasting hope.

Such stories are harder to write and to read. We must deal with murky concepts organically and often indirectly, all while negotiating a riveting plot. But like all things that are uncertain, we seek the guidance of the Holy Spirit. And as with all things difficult, we keep practicing. Indeed, Christians ought to “look not at the things which are seen, but at the things which are not seen: for the things which are seen are temporal; but the things which are not seen are eternal” (2 Corinthians 4:18). It may take time to build up a body of excellent Christian fiction, and to cultivate a reputation of edifying content. But we can do it if we push on in that good work.

There may be another reason that Christians shun the imagination. We fear it. Beyond being an intangible quality that we cannot define and confine, we have much evidence of its potential for evil in our world. Too often it is twisted by our sin nature and the Enemy to create vivid products of destruction. But these are not reasons to retreat. 

Can You Imagine?

I believe that the imagination is a potent aspect of being created in God’s image. It is a touch of the divine to glimpse into the edges of eternity. Of course the Enemy wants to usurp it, corrupting it to focus us on hedonistic desires and to extol ourselves as gods. We, as God’s people, should not concede this mighty gift. We need to claim the imagination for the glory of God. In 2 Corinthians 10:5, Paul tells us to be in the business of “casting down imaginations, and every high thing that exalteth itself against the knowledge of God, and bringing into captivity every thought to the obedience of Christ.”

We are not to abandon imagination, but to bring it into obedience to Christ. So, Christian should be at the forefront of penning magnificent speculations that sing His praises, ignite others to wonder at His goodness, and showcase His beauty and majesty. Stories of power and skill that draw people to His truth. And we should read those stories too, to enlarge our own faith and engage with others.

The imagination is a potent aspect of being created in God’s image.

When I was a 7-year-old immigrant in New York City, I learned to read in a public library. Stories opened the way to a new language and country for me. They normalized a strange culture and transported me to worlds of friendship and adventure. Yes, I relished the escape at first, but my mind was also training to see invisible things. So, when I heard the Greatest Story Ever Told, I could imagine Jesus and His salvation. I knew it was true. He had prepared me to believe.

Since then, faith is a constant journey of trusting God’s promises by seeing that which is not yet. Now, I want every story I write to convey an air of His transcendence, so that readers will long for it and recognize it when they encounter it in this world. Fantasy, more than any other genre, allows the supernatural to be a normal force in the narrative. Therefore, I see it as a perfect conveyance to reveal the most exalted One who surpasses all powers.

For readers, let me leave you with a challenge. Read a fantasy story today and let it take you on a quest. See yourself as the hero you never thought you could be. Find the evil in your world and surmount every danger to vanquish it in Jesus’ name. Do you dare?

About Willamette Sutta

Willamette Sutta is the pen name of a former academic librarian who has always been more fascinated with the worlds of imagination than the STEM books that she curated. Now she combines her love of information and speculation to create fantastic stories that nevertheless give an air of a world truer than the one we see. Find the story beneath the story.

Check out Her Debut Novel!


Hi, I’m Caylah Coffeen, a freelance editor and marketer of sci-fi and fantasy books. I love reading and writing and am a follower of Jesus Christ.

I’ve worked for Monster Ivy Publishing and Eschler Editing, and am currently a weekly editor with Havok Publishing. Reach out to chat about books and publishing!

Thanks for stopping by my website! I hope you’ve found some helpful resources about reading, writing, and publishing. If you liked this article, here’s some more free content…